Paul Newman (Paul Leonard Newman) Quotes
Quotes to Explore
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When you've done a show that's as successful as 'Lovejoy' was, it hangs around for a few years, and people know you from it. I escaped the shadow when I stopped 'Lovejoy' by not doing any television for four years.
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Unlike some, I don't claim to hold the mystic key to the future. But judging from past events, it seems to me that those who want to prophesy the imminent end of America's unique global role have a harder case to make than those who think we will limp on for a while, making a mess of things as usual.
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If you write a novel alone you sit and you weave a little narrative. And it's O.K., but it's of no account.
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I was not really aware of the dystopian genre before I read 'The Handmaid's Tale.' Many poets as well, like John Donne and Emily Dickinson, would be the influences; I specialized in Emily Dickinson at university. Both of those poets have really interesting ways of looking at life and death.
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It's like the brooding hen sitting over a china egg.
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Enable every woman who can work to take her place on the labour front, under the principle of equal pay for equal work.
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I don't know anyone who likes the American League games better. Maybe some fans do. But if you're not an actual DH, you probably prefer the National League.
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Compromise has a negative connotation.
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There is a very deep conviction in the heart of the people who work in al-Jazeera that if it changes its editorial line, it will very quickly lose its audience. Al-Jazeera has its own style; it has more than 3,500 employees, and I don't think anyone will have the attitude of changing it because they will lose.
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I would not say that female cosmonauts are not welcomed in the Russian space program. I must say, however, that all spaceflight hardware, including spacesuits and spacecraft comfort assuring systems, were designed mostly by men and for men.
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I was watching the Danish version of 'The Killing' when I got the audition for 'The Fall,' and I loved it; it was so original. I approached 'The Fall' with that in mind. I'd no problem with the violence - it was very clear from the script how horrifying the crimes were and that had to be shown, without going to extremes.
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Fame, I mean, it's like a bubble, in a way. It's like something glittery, and it goes, and it can be forgotten fast.
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It's like the old rule-if you introduce a gun into the first act of a play, it's going to be used in the third act. So if you do a movie about criminals, you have to accept there's going to be Some action.
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Once I got to the OTC they knew more about the physical aspects of shooting, and knew which muscles were more important to have trained and geared us a program around that.
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A lot of my music has ambiguity and room for people to interpret.
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My dad, Paul, is, like, my best friend.
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Because most of my career in the classroom has been at art schools (beginning at Bennington in the 1970s), I am hyper-aware of the often grotesque disconnect between commentary on the arts and the actual practice or production of the arts.
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Whatever's going on in my life shows up in the writing room.
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Bad people are to be found everywhere, but even among the worst there may be something good.
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I'm a creative person, so I have to stay busy.
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I try to keep myself as normal as possible. Stardom is transient. People forget you after a while.
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For every Way there's a way of following that Way that's fun
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Acting isn't really a creative profession. It's an interpretative one.
