Aasif Mandvi Quotes
The longer I spent time on 'The Daily Show,' standing in front of a green screen pretending to report from war zones and hot spots around the world - most often from somewhere in the Middle East - the more I began to realize that 'The Daily Show' was radicalizing me.
Quotes to Explore
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We continue to be bullish on China.
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All truly historical peoples have an idea they must realize, and when they have sufficiently exploited it at home, they export it, in a certain way, by war; they make it tour the world.
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I'm a proud family man.
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I know what feels good to eat and what doesn't. I try to err on the side of choices I know will leave me feeling more energized and ready to go, because it's always better to feel healthy.
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If I am honest, my food is actually quite far removed from both the food of my mother and my father.
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Odd how much it hurts when a friend moves away- and leaves behind only silence.
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I'm an honest, open father.
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Cambridge was the place for someone from the Colonies or the Dominions to go on to, and it was to the Cavendish Laboratory that one went to do physics.
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I never intended for the Monster Ball to be a religious experience, it just became one.
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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Even today, I frequently meet scientists who, outside their own narrow discipline, are superstitious.
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Men are every bit as gendered as women.
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I'm ready to do something with Lady Gaga or Andrea Bocelli. I'm really grateful that nothing is out of the realm of possibility.
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My first big influences were more hip-hop based - people like DJ Shadow and Four Tet.
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I don't have many friends.
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Contemplation is a luxury of the middle class, the very rich.
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The Chinese people have been forced to forget the Tiananmen massacre. There has been no public debate about the event, no official apology. The media aren't allowed to mention it. Still today people are being persecuted and imprisoned for disseminating information about it.
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Living in New York for 10 months was incredible; it was everything I thought it was going to be and more.
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I think it's a change that I did not intend at the time but it is clear that, from The Flower of My Secret on, there is a change in my films. A lot of the journalists have very generously attributed this to my growing maturity.
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We like to crystallize something in the audience's brain that makes them say, 'Hey I really want to watch that. I'm really interested in it.'
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If music goes out of language, then you are in bad trouble.
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It just took all of that to come to a screeching halt, to get to the point of having nothing, for me to finally realize, Hey, what are you fighting with this for? Until then, I hadn't claimed my faith as my own; I had just grown up with it.
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I can imagine there is going to come a time when someone will do 13 hours of a story without breaks.
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The longer I spent time on 'The Daily Show,' standing in front of a green screen pretending to report from war zones and hot spots around the world - most often from somewhere in the Middle East - the more I began to realize that 'The Daily Show' was radicalizing me.
