Nicholas Sparks Quotes
Some things definitely work better on film than in books. Introspection is great in books but it doesn't work on film. Anything with high intensity, whether it's a love scene, a car chase, a fight scene - those things work so well on film and oftentimes they can tell a much broader part of the story.
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Quotes to Explore
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Film has to describe and show.
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My mum is my biggest critic. She said I was good for the first film, but I can still be better, and I need to polish my acting skills.
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That's what film can do in a way that TV and other long-form storytelling can't. It gives you this very immersive moment.
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Film has always been a really good tool for me to communicate emotion about why I create a collection. I'm probably one of the first designers to make short films.
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The notion of directing a film is the invention of critics - the whole eloquence of cinema is achieved in the editing room.
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The film industry is mostly about unidimensional characters.
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The film depends on the audience's belief in this relationship.
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I am the biggest geek and fan of film and TV, and I just go through phases.
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Going to the movies was a big event in my youth. My father would be the initiator – he'd have me put on a jacket to see a film.
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I wrote all four of my books at Starbucks.
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I come from a culture where you don't divide it up to what you can do on TV and what you can do on film.
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Pictures can be devastating. Who allowed John Kerry to get himself photographed windsurfing in a flowered swimsuit? Anyone in the real world in that operation?
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I have great admiration for the fact – checking team. Considering it takes me years to gather all the facts in my books, it's a daunting task for the fact – checkers to review all of that material in a matter of weeks.
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With 'Girls,' it doesn't really feel like I'm doing TV specifically. It just feels like we're making a really long film.
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I am going to produce a movie of my own. I am not going to stick to the time-tested formulae of Hindi cinema. I want to make a film for the present generation. So there will be a lot of new faces in the film.
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There are so many ways to tell a story. With multiplatform books, we are reimagining what literacy can be.
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I don't care how I got here. In the books, when you look at it 10 or 20 years from now, it's not going say how he got here, it's going to say he's here and he represented the team.
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Let's say there are things about 'G.I. Joe' that you specifically expect and some things that need to be in the film at certain points, whether it be relationships or certain costume aspects.
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It's the site - that's the issue. It isn't who the builder is.
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I know I've been lucky. But it's what you do with that luck afterwards that really defines whether you stick around.
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I don't think bonuses are always bad.
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In China, we think that if you want something to happen, you don't talk about it. So I will keep who I want to work with as my secret.
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For some reason, Hitch wanted to do the longest dolly shot in cinema history. The idea was that the shot would begin with an assembly line, and then you'd gradually see the parts of the car added and assembled, and, all the while, the camera's dollying for miles along with the assembly line, and then eventually there's a completed car, all built, and it's driven off the assembly line, and there's a dead body in the backseat ... It was intriguing, but it had no place in the picture.
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Some things definitely work better on film than in books. Introspection is great in books but it doesn't work on film. Anything with high intensity, whether it's a love scene, a car chase, a fight scene - those things work so well on film and oftentimes they can tell a much broader part of the story.