Mahesh Babu Quotes
On the clothes front, I have a designer who sits with the director for each film to chalk out a look for me based on the script.
Quotes to Explore
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My works look to how images are produced, but specially based upon how the material reacts.
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I get offers all the time from film makers, but they are unknown quantities. I don't go there and do experiments.
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Military brats have this toughness: they're almost like orphans or foster children; they develop little mechanisms. It sets you up to look at things a little differently.
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Stage and film are just two wildly different animals. Why compare the two?
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The Kiss scene was attempted three times. The first was in a peculiar spot of the fort on the ground level. It felt forced to me, and I knew right away that, in spite of what others were saying, it was dead wrong.
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But the process of making a film is not glamorous. Certainly not my films.
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I do look forward to keeping in touch with the guys, because we'll always be connected in people's minds.
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Being in water makes me relax instantly.
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I would like - either as an actor, or producer or even director - to do something sci-fi or action-related. I like sci-fi, always have, 'Star Trek' and 'Star Wars' and all that stuff.
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As I'm writing, certain things become clear to me and certain things begin to feel right and make sense. The pieces start to fall into place.
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My mom helped me get started when I was younger. I started with singing. An agent saw me singing on stage at the Palm Springs Festival, and recommended I get into acting, so I was like, 'Oh, okay.' I just started from there, singing and acting.
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Every story I create, creates me. I write to create myself.
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Yes, I mean, I used to be into the big bulk thing, and that's why my legs look like those of a cyclist instead of a shooter's, but I think there is a point to where too much is not a good thing. I think I try to lower my center of gravity by doing a lot of legs.
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The laws of God, the laws of man he may keep that will and can; not I: let God and man decree laws for themselves and not for me.
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Epic were adamant that I should carry on being me. They liked the way I look, my clothes, hats... nothing's changed really.
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Don't see the point in reading ghost-written autobiographies, even though some of these published lives may fascinate me. The 'ghost' is always present, manipulating an interview into first-person singular text, and it feels like I'm reading a lie.
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The notion of directing a film is the invention of critics - the whole eloquence of cinema is achieved in the editing room.
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Look, I've always said from the word go many years ago that I felt the whole bonus culture, they need to think very carefully about being detached from the rest of the British public.
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I do not need any cheerleaders at my moot court. And I cannot imagine walking into that Court without the preparation of a few vicious moot courts; it is critical to the development of my thinking.
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I love the energy of an independent film set. No one is there for the money. Everyone is there 'cause they really want to be there. It makes all the difference in the world. It's without ego and agenda, other than just wanting to fulfill a creative dream.
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When people told the audience that Sam Kinison was good, he was accepted after that.
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But I honestly don't read critics. My dad reads absolutely everything ever written about me. He calls me up to read ecstatic reviews, but I always insist that I can't hear them. If you give value to the good reviews, you have to give value to the criticism.
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Before Fringe I was in Dirty Sexy Money playing Jeremy Darling who was this bratty New York socialite.
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On the clothes front, I have a designer who sits with the director for each film to chalk out a look for me based on the script.
