Nicholas Sparks Quotes
Quotes to Explore
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	I did ask Matt Damon for his autograph - and I got a picture, too!   
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	I don't really think about the runs too much. I mean, if we get, like, a five-run lead, then I'll start to pitch according to that.   
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	The retirement timing is always a tricky thing for a dancer. I think it's different for everyone. How you say goodbye to the thing you have really focused on that much is a tough one. I've always intended to leave in good shape, to exit on a high note.   
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	On Monday mornings I am dedicated to the proposition that all men are created jerks.   
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	The best V-Day gift I've ever received was a personalized photo collage.   
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	Men don't avoid successful women because they're jealous; they often do it to avoid being in competition with her next job promotion.   
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	I know that I'm capable of moving around on the guitar. I can express myself the way I want to and feel good about it. But as far as technical chops, I'm not a learned musician.   
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	I am undeniably afraid of the dark!   
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	I am through with baseball forever. I have my farm and my home and enough to take care of me, so why should I work and worry any longer?   
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	I'm high maintenance, but I'm worth it.   
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	Being veterans of the struggle to push back against fundamentalist Christians, American liberals are well acquainted with the pitfalls of the neoconservative flirtation with the religious-right.   
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	I'm sort of fascinated by the whole espionage crime thing.   
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	I studied classical opera, so I was always singing in Italian and German and French.   
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	I eat every two hours. I sleep for eight hours. I have lots of water. I pray to keep calm. Most importantly, I have a smile on my face.   
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	My record label always says you shouldn't talk about money because it makes people extremely uncomfortable. Refugees can't talk about money. Rappers can talk about money; refugees can't talk about money.   
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	The idea of putting out an album is quite exciting because it's sharing your creativity with people. There's no ambition to be famous. I couldn't care less about that.   
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	I wrote my first play, Uncommon Women and Others, in the hopes of seeing an all-female curtain call in the basement of the Yale School of Drama. A man in the audience stood up during a post show discussion and announced, “I can't get into this, it's all about girls.” I thought to myself, “Well, I've been getting in to Hamlet and Laurence of Arabia my whole life, so you better start trying.”   
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	You don't step on stage to eat; you go there to be eaten.   
 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					