Robert W. Service Quotes
The lonely sunsets flare forlorn Down valleys dreadly desolate; The lonely mountains soar in scorn As still as death, as stern as fate.
Quotes to Explore
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I love working with other actors and other people - you know, stand-up - it's lonely; it's just you out there and the audience. But it's fun working with other actors. I love doing that, too.
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One may walk over the highest mountain one step at a time.
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I remember we would get young, aspiring actors to come on '77 Sunset Strip' - I remember George Kennedy was one of those - and they would do a big guest star part, a lead, and they'd be paid maybe $850.
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I'm over the hill, maybe even the whole mountain range, but I don't see it that way even one little bit.
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I'm the sort of person who needs a big mountain in front of me to climb.
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If there's any business that instructs you in the strong hand of fate, it's show business. You can plan and plan, but it's what happens to you that really determines what your career will be like.
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Touring is really a pretty lonely business.
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There is no substitute for a real location when you're trying to shoot the jungle. You can't just go anywhere. You've got to go where it's lush and green and there really is those mountain ranges, the trees and the ocean.
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I've also seen that great men are often lonely. This is understandable, because they have built such high standards for themselves that they often feel alone. But that same loneliness is part of their ability to create.
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Success is as ice cold and lonely as the North Pole.
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Ambition drives you on, ability certainly helps, but the fickle finger of fate and luck are great things.
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I'm not in control of my fate, and that's a good thing.
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It is not the mountain we conquer but ourselves.
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Because of my childhood where I was constantly by myself, I always feel lonely. I have a lot of people that I absolutely love and I know love me but I can't get rid of that feeling of loneliness no matter who I'm with - even with my children.
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A nation is a totality of men united through community of fate into a community of character.
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Hell, I'm an old man. I'm 70 years old. I'm supposed to be sitting on a rocking chair watching the sunset.
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'Now you understand,' Rarm said to me. 'It was the last cut against yourself to become convinced of your own hideousness. You held to it and nurtured it, and even identified with the devil goddess of Orash in your determination to be accursed. And it never occurred to you that perhaps you saw a false image under the mountain.'
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O Caledonia! stern and wild,Meet nurse for a poetic child!Land of brown heath and shaggy wood,Land of the mountain and the flood!
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National Standards was not a narrative of past events but was leftwing revisionism and Political Correctness.
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I'm addicted to Altoids. I call them 'acting pills.'
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I have always wanted to work with Steven R. Monroe, and when I read his script, I was blown away! I think 'Complacent' hits a nerve that people try so desperately to avoid, which is what I love about Steven's work.
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In reality, the labourer belongs to capital before he has sold himself to capital.
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Raymond Floyd. The man knows how to control situations. He was experienced. He didn't let me get overly excited; he kept me in check. It allowed me to free myself up, and I played really well with him.
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The lonely sunsets flare forlorn Down valleys dreadly desolate; The lonely mountains soar in scorn As still as death, as stern as fate.
