Robert Wise Quotes
Of all the stars whom I worked with, I think Steve knew better what worked for him on the screen than any other. He had such a sense of what he could register, and that helped a lot in terms of shaping the character and the script.
Quotes to Explore
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A rolling stone gathers no moss, but it gains a certain polish.
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Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.
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I am tired of women playing action heroes like men, because they are not men. But sometimes they are written like men.
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The security link between us and Europe is very important for European security but also for our security.
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Beauty pageants work as a platform from where you can reach out to many.
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I thought marriage was something very quiet and very regular and very bourgeois.
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I had no desire to be a chef, but I had a desire to be someone who was heard.
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My views naturally have mellowed. Most of the critics have been more or less nice to me.
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When the whole world is silent, even one voice becomes powerful.
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As an actor, I've always said, half the audience is going to love you, half is going to hate you so just live with it. It's easier that way.
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Every anti-gay remark from the Church gives the thug a license to be cruel.
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'Lost' is about a bunch of people stranded on an island. It's compelling, but kind of tiny. But what sustains you are the characters.
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Whatever I think the song sounds like is what I'll name it. It's a feeling thing; it's not logical at all.
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We happen to be the vanguard of that revolutionary struggle because we are the most dispossessed.
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I think that haredi children should study the core subjects and that their parents must work, and I believe that there are many haredim who think like me and would be glad to discover that someone is fighting the radical functionaries and rabbis who embitter their lives.
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My personal experience has been that in my 25 years of writing, I have not been asked to do more than four or five commercial one-shot scripts. These were performed on major national hook-ups but produced for me no immediate additional jobs or requests. One script for BBC was done around the world with an all-star cast.
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It's going to be so obvious when something isn't well made for VR. People are going to use the best VR content. That's the stuff that's going to get shown to people. That's the stuff that's going to get demoed. That's most of what people are going to buy.
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Hope is a state of mind, not of the world. Hope, in this deep and powerful sense, is not the same as joy that things are going well, or willingness to invest in enterprises that are obviously heading for success, but rather an ability to work for something because it is good.
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I've never chosen or rejected a role because of money.
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I was never a cokehead or anything like that. I always despised that drug. I thought it was a waste of time, pointless.
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I haven't always made the right decisions.
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I never found it frustrating not speaking.
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There are times when you do a play when you are living in the character over a two-and-a-half-hour period or longer, and you come to the end of the night, and you can feel like you were hit by a truck.
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Of all the stars whom I worked with, I think Steve knew better what worked for him on the screen than any other. He had such a sense of what he could register, and that helped a lot in terms of shaping the character and the script.
