Heather Graham Quotes
When you're playing a character, I think it's always better not to judge that character.
Quotes to Explore
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All we have to decide is what to do with the time that is given us.
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I know I'm good enough. I don't need to show it to you. Either you know who I am, or you don't.
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I was with the Jessie Bonstelle Stock Company in Detroit and Buffalo for three seasons - 10 performances and a new play every week. She was an amazing woman who did a great deal for me.
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Man can never be a woman's equal in the spirit of selfless service with which nature has endowed her.
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Mind is everything. Muscle - pieces of rubber. All that I am, I am because of my mind.
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All the best parts of art come from pain turned to celebration.
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I love India.
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Ringside seats mean you hear the breaking of ribs, the splattered cartilage of what was once the boxer's nose, the dislocation of the jaw, the horrifying 'ugggh' that the boxer utters milliseconds after receiving a crushing left hook to the solar plexus or kidneys or head.
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The left-brainer and the economist in me says watch what people do, not what they say.
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I don't know anyone who likes the American League games better. Maybe some fans do. But if you're not an actual DH, you probably prefer the National League.
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I hold this to be the highest task for a bond between two people: that each protects the solitude of the other.
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My degree was in theater administration. So I can sell the hell out of a ticket at the box office.
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Every man who repeats the dogma of Mill that one country is no fit to rule another country must admit that one class is not fit to rule another class.
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I think I would like the sort of job where you can work away in obscurity to try and improve things, without being caught up in the political maelstrom.
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People have different views of how you deal with different issues in literature, and, frankly, long may it last that there is a range of views.
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You are probably right when you say that I could get a role in any producer's film if I just asked.
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Usually, there's nothing being thrown toward the stage or at me. Then I feel pretty good about it.
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Frank Sinatra took me to a whole new planet. I worked with him until he passed away in '98. He left me his ring. I never take it off. Now, when I go to Sicily, I don't need a passport. I just flash my ring.
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Auditions are an opportunity to play and go in there and bring the character to life. The writers have it stuck in their head and haven't seen it jump off the page.
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That phrase, 'loss of innocence,' has become stale with overuse and diminishing returns; no other culture is so addicted to this narcissistic impression of itself as having any innocence to lose in the first place.
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Usually I'll go to San Diego to hang out with my parents if I want to unwind.
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I write sentence to sentence. That's the kind of writer I am. I don't have a plot when I begin. I have to be convinced and I have to be surprised.
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The men are mostly so slow, their thoughts overrun 'em, an' they can only catch 'em by the tail. I can count a stocking-top while a man's getting's tongue ready; an' when he outs wi' his speech at last, there's little broth to be made on't. It's your dead chicks take the longest hatchin'.
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When you're playing a character, I think it's always better not to judge that character.
