Heidi Julavits Quotes
I developed a crazy face rash after I got engaged to a guy I must have known somewhere I should not marry. I hadn't articulated this to myself, so my face told the world instead.
Quotes to Explore
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It's a cliche, but there really is no handbook about the celebrity thing; you have to figure it out as you go along.
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To try to write a grand cosmical drama leads necessarily to myth. To try to let knowledge substitute ignorance in increasingly larger regions of space and time is science.
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Yves Saint Laurent was the first person who made me feel like a woman.
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It is good to be solitary, for solitude is difficult; that something is difficult must be a reason the more for us to do it.
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I really like one-on-one, rich relationships.
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If you actively do something, it will stop making you feel like a victim and you'll start feeling like part of the solution, which is just a huge benefit to your body and your psyche.
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Track and field is the best way to reach out for kids. It doesn't matter how fast you are. You always want to beat someone.
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At the height of the British Empire very few English novels were written that dealt with British power. It's extraordinary that at the moment in which England was the global superpower the subject of British power appeared not to interest most writers.
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I certainly never saw myself as posh.
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The fantasy I've always had is that somehow I could move back in time. I would like to be there when Susan B. Anthony was dying, or someone like that. I would say to her, 'You won't believe what's going to happen.' And then I would tell her.
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Mom was all about hellfire and brimstone. Her Old Testament God was a colossal, ancient brute, a maelstrom of blood and fire, of appetite and wrath.
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Kids and adults are treated differently on sets. Being a kid, you can get away with anything, and it looks cute. But as an adult, it's a whole new journey.
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My mother opened a bank account for me when I made $60 on my first day of work as an extra. She's that kind of mother.
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When one is the type of writer who cares about the meaning of the historically specific setting, the history itself is not something that I would call backdrop. It's not window dressing for a timeless relationship about love and betrayal. For me, the setting and the specific history are active co-agents with me in trying to form the novel.
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You can't just get in a boat with someone and be great straight away. It takes a lot of time to get used to each other. You need to learn how the other person reacts to certain situations.
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If you want to be fully convinced of the abominations of slavery, go on a southern plantation, and call yourself a negro trader. Then there will be no concealment; and you will see and hear things that will seem to you impossible among human beings with immortal souls.
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I just saw metal as another tool for me to use.
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I like tinkering with the tribe beat boxes and love using Reason as a beefed up beat box.
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The essential difference, which we meet in entering the realm of spirit and mind, seems to hang round the word 'Ought.'
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The movie says, You can lose your job and your way and still rescue yourself. 'Larry Crowne' creates a self-excavated utopia, and I love that idea, that message.
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We just here to do our job.
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Dallas was a Black and White society at that time; it didn't have the diversity it has now.
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Mike is the most entertaining, most knowledgeable, and most insightful guy I have ever dealt with. I am constantly entertained by him.
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I developed a crazy face rash after I got engaged to a guy I must have known somewhere I should not marry. I hadn't articulated this to myself, so my face told the world instead.
