Eudora Welty Quotes
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My main disappointment was always that a book had to end. And then what? But I don't think I was ever disappointed by the books. I must have been what any author would consider an ideal reader. I felt every pain and pleasure suffered or enjoyed by all the characters. Oh, but I identified!
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One place understood helps us understand all places better
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Writing a story or a novel is one way of discovering sequence in experience, of stumbling upon cause and effect in the happenings of a writer's own life.
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My own words, when I am at work on a story, I hear too as they go, in the same voice that I hear when I read in books. When I write and the sound of it comes back to my ears, then I act to make changes. I have always trusted this voice.
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Making reality real is art's responsibility. It is a practical assignment, then, a self-assignment: to achieve, by a cultivated sensitivity for observing life, a capacity for receiving impressions, a lonely, unremitting, unaided, unaidable vision, and transferring this vision without distortion to it onto the pages of a novel, where, if the reader is so persuaded, it will turn into the reader's illusion.
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The challenge to writers today, I think, is not to disown any part of our heritage. Whatever our theme in writing, it is old and tried. Whatever our place, it has been visited by the stranger, it will never be new again. It is only the vision that can be new; but that is enough.
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But how much better, in any case, to wonder than not to wonder, to dance with astonishment and go spinning in praise, than not to know enough to dance or praise at all; to be blessed with more imagination than you might know at the given moment what to do with than to be cursed with too little to give you -- and other people -- any trouble.
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I get a moral satisfaction out of putting things together.
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A good snapshot stops a moment from running away.
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All good writers speak in honest voices and tell the truth.
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Beauty is not a means, not a way of furthering a thing in the world. It is a result; it belongs to ordering, to form, to aftereffect.
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Is there any sleeping person you can be entirely sure you have not misjudged?
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To imagine yourself inside another person...is what a story writer does in every piece of work; it is his first step, and his last too, I suppose.
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I cannot remember a time when I was not in love with them--with the books themselves, cover and binding and the paper they were printed on, with their smell and their weight and with their possession in my arms, captured and carried off to myself.
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I wanted to read immediately. The only fear was that of books coming to an end.
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There is absolutely everything in great fiction but a clear answer.
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Every story teaches you how to write that story but not the next story.
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Long before I wrote stories, I listened for stories. Listening for them is something more acute than listening to them. I suppose it’s an early form of participation in what goes on. Listening children know stories are there. When their elders sit and begin, children are just waiting and hoping for one to come out, like a mouse from its hole.
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No blur of inexactness, no cloud of vagueness, is allowable in good writing; from the first seeing to the last putting down, there must be steady lucidity and uncompromise of purpose.
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Writers and travelers are mesmerized alike by knowing of their destinations.
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No art ever came out of not risking your neck.
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Characters take on life sometimes by luck, but I suspect it is when you can write more entirely out of yourself, inside the skin, heart, mind, and soul of a person who is not yourself, that a character becomes in his own right another human being on the page.
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Relationship is a pervading and changing mystery... brutal or lovely, the mystery waits for people wherever they go, whatever extreme they run to.
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Indeed, learning to write may be part of learning to read. For all I know, writing comes out of a superior devotion to reading.