Eugene Delacroix Quotes
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I live in company with a body, a silent companion, exacting and eternal. He it is who notes that individuality which is the seal of the weakness of our race. My soul has wings, but the brutal jailer is strict.
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Take hold of objects by their centres, not by their lines of contour... The contour accentuated uniformly and beyond proportion, destroys plasticity, bringing forward those parts of an object which are always most distant from the eye - namely its outlines.
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The things one experiences alone with oneself are very much stronger and purer.
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There is no merit in being truthful when one is truthful by nature, or rather when one can be nothing else; it is a gift, like poetry or music. But it needs courage to be truthful after carefully considering the matter, unless a kind of pride is involved; for example, the man who says to himself, "I am ugly," and then says, "I am ugly" to his friends, lest they should think themselves the first to make the discovery.
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Weaknesses in men of genius are usually an exaggeration of their personal feeling; in the hands of feeble imitators they become the most flagrant blunders. Entire schools have been founded on misinterpretations of certain aspects of the masters. Lamentable mistakes have resulted from the thoughtless enthusiasm with which men have sought inspiration from the worst qualities of remarkable artists because they are unable to reproduce the sublime elements in their work.
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Every time I await a model, even when I am most pressed to time, I am overjoyed when the time comes and I tremble when I hear the key turn in the door.
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The artist is always concerned with a total view of the world. However, when the photographer takes a picture ... the edge of his picture is just as interesting as the middle, one can only guess at the existence of a whole, and the view presented seems chosen by chance.
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Everything is a subject; the subject is yourself. It is within yourself that you must look and not around you... The greatest happiness is to reveal it to others, to study oneself, to paint oneself continually in one's work.
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Cold exactitude is not art... The so-called consciousness of the majority of painters is only perfection applied to the art of boring. People like that, if they could, would work with the same minute attention on the back of their canvas.
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Criticism is like many other things, it drags along after what has already been said and doesn't get out of its rut.
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Nature creates unity even in the parts of a whole.
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Experience alone can give, even to the greatest talent, that confidence in having done all that could be done.
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A fine suggestion, a sketch with great feeling, can be as expressive as the most finished product.
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We should not allow ourselves to believe that writers like Poe have more imagination than those who are content with describing things as they really are. It is surely easier to invent striking situations in this way than to tread the beaten track which intelligent minds have followed throughout the centuries.
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The true wisdom of the philosopher ought to insist in enjoying everything. Yet we apply ourselves to dissecting and destroying everything that is good in itself, that has virtue, albeit the virtue there is in mere illusions. Nature gives us this life like a toy to a weak child. We want to see how it all works; we break everything. There remains in our hands, and before our eyes, stupid and opened too late, the sterile wreckage, fragments that will not again make a whole. The good is so simple.
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I live in company with a body, a silent companion, exacting and eternal.
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Real beauty in the arts is eternal and would be accepted at all periods; but it wears the dress of its century: something of that dress clings to it, and woe to the works which appear in periods when the general taste is corrupted.
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Experience has two things to teach. The first is that we must correct a great deal and the second, that we must not correct too much.
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The living model never answers well the idea or impressions the painter wishes to express; one must, therefore, learn to do without one, and for that, you must acquire facility, furnish one's memory to the point of infinitude, and make numerous drawings after the old masters.
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Mediocre people have an answer for everything and are astonished at nothing. They always want to have the air of knowing better than you what you are going to tell them; when, in their turn, they begin to speak, they repeat to you with the greatest confidence, as if dealing with their own property, the things that they have heard you say yourself at some other place. A capable and superior look is the natural accompaniment of this type of character.
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There is a man whose qualities can be savored by people who are getting old... The painter qualities are carried to the highest point in his work: what he does is done - through and through; when he paints eyes, they are lit with the fire of life.
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In every art we are always obliged to return to the accepted means of expression, the conventional language of the art. What is a black-and-white drawing but a convention to which the beholder has become so accustomed that with his mind's eye he sees a complete equivalent in the translation from nature?
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The source of genius is imagination alone.
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Seeing artistically does not happen automatically. We must constantly develop our powers of observation.