Eugene Ionesco Quotes
If one does not understand the usefulness of the useless and the uselessness of the useful, one cannot understand art.
Quotes to Explore
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You must not fight too often with one enemy, or you will teach him all your art of war.
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I'm always trying to find 'connections' between things. That art is the juxtaposition of a lot of things that seem unrelated but add up to something recognizable.
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Contemporary art will help me to modernise our society.
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I like elegance. I like art nouveau; a stretched line or curve. These things are very much in the foreground of my work.
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The record business is dangerous to the health of bands and individuals, which is something I'm just now learning. But it's not dangerous in any of the ways people think; it's not that they try to make you compromise your art. That's not the problem.
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I work in the film business, where schmoozing is an art form, lunch hour lasts from 12:30 until 3, and every meeting takes an hour whether there's an hour's worth of business or not.
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Art is a mind-game that we do to make our lives easier. If it isn't for that, it becomes superfluous.
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I'm going to start these art museums that are basically converted homes, and I have one for modern art, and I have one for 19th century European art, and one for French impressionism. I've got Japanese.
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Art is the lie that enables us to realize the truth.
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You cannot live to please everyone else. You have to edify, educate and fulfill your own dreams and destiny, and hope that whatever your art is that you're putting out there, if it's received, great, I respect you for receiving it. If it's not received, great, I respect you for not.
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We want a vernacular in art. No mere verbal or formal agreement, or dead level of uniformity but that comprehensive and harmonizing unity with individual variety which can be developed among people politically and socially free.
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My job is art curator, not artist. All I have ever wanted to do is immerse myself in art, to enjoy it, to learn about it, to write about it, to talk to others about it.
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Art to me is not precious enough that I feel territorial about what the word gets applied to. Conversations about what counts as art and what doesn't doesn't captivate my attention very much.
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We recognize the distinctness of Asian art when we turn to its traditional forms, recognize it as Japanese, Chinese and Indian, even Balinese or Thai.
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When you get divorced, you have to go through this awful thing of listing everything you own. When you actually sit down and write the list, you realize that the only good investments are art and property.
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In Japan, I am famous in certain special circles - mainly as someone who is trying to break down and enlighten the conventions of Japanese art.
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All art is a confession.
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Great Art is Great because it inspired you greatly. If it didn't, no matter what the critics, the museums and the galleries say, it's not great art for you.
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From the idea that the self is not given to us, I think there is only one practical consequence: we have to create ourselves as a work of art.
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Because subjects like literature and art history have no obvious material pay-off, they tend to attract those who look askance at capitalist notions of utility. The idea of doing something purely for the delight of it has always rattled the grey-bearded guardians of the state. Sheer pointlessness has always been a deeply subversive affair.
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Most entrepreneurs don't need as many customers as they think. A lot of people think 10 is too few for a sample. But if all 10 refused a product, why is that not enough? If you want 100, 1,000 or a million customers, you first have to get 10.
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I think I'm actually in denial that I'm famous, it only sinks in when people crowd in the streets. My friends treat me like a regular person, which is what I wanted.
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I'd love to be a voice in 'Toy Story 4.'
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If one does not understand the usefulness of the useless and the uselessness of the useful, one cannot understand art.
