Evelyn Waugh Quotes
Quotes to Explore
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I've made up little mantras for myself, catchphrases from a screenwriting book that doesn't exist. One is 'Write the movie you'd pay to go see.' Another is 'Never let a character tell me something that the camera can show me.'
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A real book is not one that we read, but one that reads us.
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Adam Sandler is a remarkable movie brand.
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Before my book, 'California,' came out, I had modest hopes for it. Or, let's put it this way - I had the same hopes that every literary fiction writer in America has: I wanted the novel to be well-received, critically. As for sales? I didn't want it to disappoint, but I didn't expect it to be a best-seller, either.
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I must be like the princess who felt the pea through seven mattresses; each book is a pea.
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Butler's novel 'Kindred' may be the book most widely read by readers outside science fiction; it has been assigned as a text in classrooms and has sold steadily since its publication in 1979.
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For my wrap present, Colin Farrell gave me a first edition book. I got so involved with this character and I was so sad when the movie was over that when I got home and I tried to read the book I got really emotional and I started crying.
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A book tour is not a good opportunity to let your mind wander. You have to pay attention, remember salespeople's and interviewers' names, succinctly summarize your book in a 'selling' way, and so on.
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For nighttime or for an event, I'm all about the nice heel. Something that's still walkable but definitely very elegant.
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I have even written a book about Wine called The Grapes of Ralph.
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It's interesting that the book publishing industry, on the iPad, has much more flexibility than the music industry had.
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When I do a workshop, there is always at least one author who comes up afterward and asks if I'll take a look at his or her book and consider blurbing it. For some reason, I can turn someone down in e-mail, but when he or she is looking me in the eye, I cave.
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I don't perceive an audience at all when I write a book. It's pure self-indulgence.
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I don't know where I would place myself in the literary landscape. I really just write the book that I would want to read. And I put on the blinders, and I really - it is, for me, that simple.
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Your premium brand had better be delivering something special, or it's not going to get the business.
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The idea of a flip book still really appeals to me. That idea of fiction and non-fiction.
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I'm not at every party; I'm not seen everywhere. That's why people still care about my brand.
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Having big audiences when you're on a book tour is like Valhalla if you're a person who used to sell Girl Scout cookies on the side. Because you want to give the reading that will sell the most books.
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I wrote a book of essays about New York called 'The Colossus of New York,' but it's not about - you know, when I'm writing about rush hour or Central Park, it's not a black Central Park, it's just Central Park, and it's not a black rush hour, it's just rush hour.
Colson Whitehead -
It's a rare memoir that can tell a story that seems brand new, but Nina Here Nor There does it. This one-of-a-kind narrator undertakes a quest that is unmistakably timely. But in its yearning for awareness and connection, this book feels timeless.
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If you want to do something then be the best.
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Never let 'em see you sweat. Guests feel guilty if they think you've worked too hard to make dinner for them - which of course you have!
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There is something incomparably thrilling in first opening a brand new book.
