Ezra Pound Quotes
Quotes to Explore
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Why should I stop working? If I do, I'll die and it'll all be finished.
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Be obscure clearly.
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For nine years I worked to change what was hairdressing then into a geometric art form with color, perm without setting which had never been done before.
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Now that we've transitioned to more Smart TVs, where people are broadcasting their cable box, I hope that Geek & Sundry is something that people will click on in the future, knowing that they're going to get content that they love.
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People go into science out of curiosity, not to win awards. But scientists are human and have ambitions.
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I re-mastered 'The Conversation' a few years ago for DVD. 'The Conversation' was the first film I edited on a flatbed machine - a KEM editing machine. I've been using Final Cut or the AVID for 12 years now, so I was interested in looking at this film and seeing if I could tell if it had been edited the old way. Truth be told, I couldn't.
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I would love to learn how to dance. I can pick up choreography pretty well. But when you're dancing with your friends, I can't do that. I'm not a freestyler. It just doesn't come naturally to me. Clapping is my go-to dance.
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Principle says it's not who put forth an idea. It's not the position of the person who put forth an idea; it's not the longevity of the person or the party of the person. That's not what it is at all. In a power system, that's the way it works. But in a principle system, it's what it says.
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It's pretty rare that I see a film that I did a long, long time ago.
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It seems strange. We're touring in a bubble, so we don't feel it.
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We need new art. Old art cannot do that. It can do lots of other things, and of course humanity hasn't changed that much in the last thousand or two thousand years.So that the old Greek dramas are still at the very heart, core, of human experience, but still we need new stuff.
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We started the company out of frustration with the employer that we had because we were building great stuff and there was no way that this stuff was ever going to get into the hands of the people who could use it.
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The challenge for me was not just the prosthetic work and how to move like an older man would move, but more so how to have 50 years of experience in the workplace and talk to a young Robert F. Kennedy as if he was some political upstart that didn't know what the hell he was talking about. That was the big challenge [in the J. Edgar Hoover mоvie].
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I always felt like I was on the move, that I was going towards something.
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A lot of companies are calling for availability, but we're committed to FEMA.
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Either move or be moved.
