Ivan Reitman Quotes
I believe that improvisation is really just a directorial tool. It's a writing tool. It's not so much that the actors get to say whatever they want, whatever pops into their head. It's an opportunity to write the last draft of the screenplay as you're working on it.
Quotes to Explore
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For me it's also - the music is equally as important. I mean I think as somebody who writes music, there just has to sort of be the marriage between both.
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Strike the right balance between your outfit and makeup. Make a statement with one, not both.
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Mr. Obama's approach to engagement to some degree makes him dependent on people who wish neither him nor America well. This doesn't have to end badly and I hope that it doesn't - but it's not an ideal position after one's first year in power.
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What led me to be an actor is that I have a strange something in me that can drastically change the way I appear to the world. Growing up, I couldn't understand why people would always have different ideas of me - but because of that I became aware of how you can manipulate your own ability to change. And then I learned to make a career of it.
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It is an agreeable and yet a painful sense of novelty to stand for the first time in the midst of a people whose language and manners are different from one's own.
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I would be ecstatic if the very first writer to step foot in a Storyknife cabin was an Alaska Native woman writer.
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The perils of duck hunting are great - especially for the duck.
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Time engraves our faces with all the tears we have not shed.
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The biggest place I look for validation is from my mother. That's the little girl in me that will never grow up.
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'Clothespin' was the first city monument on a large scale that could compete with the architecture around it.
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Allen Ginsberg was a world authority on the writing of William Blake, and had an incredible knowledge of classic literature and world politics.
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Children love secret club houses. They love secrecy even when there's no need for secrecy.
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Then, in 2000, John Reid, Elton John's former manager, asked me to audition for the stage version of The Graduate he was producing. So I worked on it, got the part, and after three weeks' rehearsal I was on stage!
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I made the final decision to become a professional wrestler because I was able to look at Sting and what he was able to do inside and outside the ring.
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We may have been born on third base, but we worked like we were starting from home plate. You know: batter up.
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We live in a society that has a long history of not valuing people of color or women.
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Every week, as a staff, you put a plan together and put your players in position to make plays.
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I get along with guys; most of my friends are guys. It's easier to trust men sometimes. I only have a few close girlfriends that I trust.
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I've been one of those people that hold on to a little bit more stress than others. People take certain situations a little bit differently.
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I never intended on moving to 'The Good Wife' permanently, but in terms of a next move and something to do to make myself feel good, this was a great opportunity.
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When you get into any kind of period work, or any kind of prosthetic work, or anything that alters what your 8×10 looks like, it's the joy of escaping and becoming somebody else. And it is definitely freeing.
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I believe that improvisation is really just a directorial tool. It's a writing tool. It's not so much that the actors get to say whatever they want, whatever pops into their head. It's an opportunity to write the last draft of the screenplay as you're working on it.
