Itay Talgam Quotes
A whole generation of veteran composers has never taken a stand or provided an example and has produced in the music academies generations of docile workers for the music industry. What can you expect from downtrodden workers who see music as a type of profession, like stenography, and not an act of creation that by its nature is subversive?
Quotes to Explore
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I've always written songs that were confessional, acoustic, wordy - my writing style matches my personality. The music always has to match the mouth it comes out of.
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Young kids should be doing music that has shock value. They'll grow out of it.
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When I think about atheist friends, including my father, they seem to me like people who have no ear for music, or who have never been in love.
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Acting isn't a singular profession, it is a collaborate profession.
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There's never any pressure on the music having to be something.
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I've always considered music stores to be the graveyards of musicians.
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I've had so many hot, cheesy, corny loves of music in my life. I had a very intense Billy Joel period. So once you've really Joeled it up - there's some good periods of Joel; it's not all hot cheese. But I can't judge anyone else for their cheese. I've deep-sea dived in the Gouda.
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I joined the Madras Christian College but dropped out after three months. Telugu music director Ramesh Naidu asked me to assist him, and I did so for over a year. I did think of rejoining college, but by then, I was discovering the musician in me. I worked with Illaya Raja and Raj Koti and soon shifted to commercials. This led to movie offers.
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There's not a day goes by that I don't appreciate the freedom that I have to make music and tour and spend time with my family.
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We feel more and more intensely about the music we make. It's unexpected, and not always what you would think of in Beach House. It's all art in the end. We aren't making records because we have to; it's because it's what we want to express.
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When I started making music, I was so heavy into the hyphy movement. That's something you only know so much about if you were right there living in it, submerged in the culture.
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I thinks it really interesting how they throw the world music samples in there. I often wonder what it would be like to do something like that, but use my lyrics and my kind of style.
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Everyone assumes it is just 'Wendy who works at Tesco' who goes to audition for 'X Factor,' and then their lives are changed, wham, like that. Me, I am someone who has tried for years in the music industry.
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The main reason people want to pay for Spotify is really portability. People are saying, 'I want to have my music with me.'
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When I started music, I think it was responsible for keeping me sane, because training as a dancer really kept me in good spirits amid all the crazy stuff that happened when I first became popular.
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Music rules a lot of my life - I was bitten by the bug young.
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I'm not trying to become a pop artist, and I'm not trying to make sure I stay a country artist. I'm just trying to make sure I make the best music I can, according to my way.
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My music is mostly for the music. And it gives the liberty to do anything which I want. And nobody limits me to one genre of music. But I learn from life and I try to give back to life, in a way, whether it's the thought of the song or whether it's the approach to the arrangement or anything.
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'Star Wars' came out when I was seven. It was so different from anything else, like peeking into the land of Oz. All you wanted to do was see it again and go back and see more of it. That feeling is not easy to reproduce.
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It's hard to explain why I like Europe so much.
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I think making a great action movie is one of the hardest cinematic endeavors. By definition, smart characters avoid action. Smart people don't go down dark alleys, but if you're making an action movie and you want to have an action sequence, somehow you have to get that character into that dangerous situation.
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I recommend everyone who DJ's to do it as a hobby and make sure you have a day job or are going to school. Only 100 DJ's in the world make a living doing this, by that I mean making a good, comfortable living.
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A whole generation of veteran composers has never taken a stand or provided an example and has produced in the music academies generations of docile workers for the music industry. What can you expect from downtrodden workers who see music as a type of profession, like stenography, and not an act of creation that by its nature is subversive?
