Isom Innis Quotes
I lived in Boston for four or five years and would commute to New York to play gigs. New York City became so expensive, all the recording studios started shutting down because they couldn't afford rent anymore.
Quotes to Explore
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My movies are not messed with by the studios.
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You rarely pay the rent by doing Shakespeare or Ibsen.
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I've done big studio films and the big studio films I've done, I've tried to do the interesting ones and the ones where I could live with myself in the morning.
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You don't just go to the studio and say, 'I'm going to write a hit.' It becomes a hit when people like your compositions.
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You write a screenplay and then everybody is going to want to get in on it and we have to figure that out. I've written three screenplays that are at studios and I still haven't been making them yet so there is always something that is either going to trip something up or maybe get another pass.
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During the Vietnam War era people were concerned about what was going on economically in their lives, and film studios were worried about what was going on with the box office
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It's crazy, it's different. It's what I wanted, but it's different. It's not exactly what I wanted, you know what I mean? If you become an actor you want to be a successful actor; but with success comes a lot of things. Some of it's great! It's great to be able to pay your rent from the work that you do.
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We are not shutting down all our projects while we wait for an answer.
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But first, on earth as vampire sent, Thy corse shall from its tomb be rent, Then ghastly haunt thy native place, And suck the blood of all thy race. There from thy daughter, sister, wife, At midnight drain the stream of life, Yet loathe the banquet which perforce Must feed thy livid living corse. Thy victims ere they yet expire Shall know the demon for their sire, As cursing thee, thou cursing them, Thy flowers are withered on the stem.
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Do something you really like, and hopefully it pays the rent. As far as I'm concerned, that's success.
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I am a session guy and a studio musician and whatever you need me to do I will do it.
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I used to go to work and take heroin in the studio and then stop when I came home.
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Most studios in Memphis had a house set of drums; the drummers just brought their own sticks.
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We're playing small clubs and doing it all in a van. I have management, and they've done a good job of getting our tour plan together, but we're still having to go and rent the vehicles and all the little things you need to do. You really have to watch your budget.
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There are tremendous barriers to building housing. If we could break them down, the need for rent controls would go away.
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Sometimes I do, sometimes I don't. But while I'm doing vocal in a studio, I can't stand it.
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I don't think an NC-17 rating is the kiss of death. Nor do I think that, in the hands of the right filmmakers, studios have a preconceived notion to pass on NC-17 material.
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You knew everybody at all the studios and you saw them often.
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When the gospel is at stake, everything is at stake.
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We have to understand that people are different. I don't know, if we really understand who we're dealing with over there.
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The music tends to be an expression of one's darker moments.
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Creation lives, grows, and multiplies; man is but a witness.
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I think one of the great things about acting is the instant gratification: you just get up and start being a part of the story. The immediacy is something you get really addicted to.
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I lived in Boston for four or five years and would commute to New York to play gigs. New York City became so expensive, all the recording studios started shutting down because they couldn't afford rent anymore.
