Madhur Bhandarkar Quotes
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My father was an electrical contractor, while I used to deliver video cassettes on a cycle to people in Juhu and Bandra, including celebrities like Mithun Chakraborty. Mithunda remembers me and is very proud of me. He can't believe that the guy who used to come to his house in short pants has become so successful.
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I was always an avid reader of books. My vocabulary, my English are all thanks to that reading habit. Reading keeps me grounded. I came from a very middle class family – poor, in fact.
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For my film 'Fashion,' like an investigative journalist, I went about knowing the people, the models, the fashion designers. Similarly with the corporate world.
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My inherent belief is that motherhood is pious, and I am humbled by it.
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I like to leave a film open-ended, with a lingering feeling. I'll not do sequels of any of my films till I have subjects to explore.
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I'm a terrific mimic, and you can feel my funny bone.
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I think as a filmmaker one should make all kinds of films. It is not that one should make only one kind of film. I love to see romantic films; I loved watching 'Dilwale Dulhaniya Le Jayenge,' 'Kuch Kuch Hota Hai.' If I make such films, I will make it with my yardstick, according to my parameters.
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Indian cinema is no more limited to audiences in India. We have viewers all around the world, and hence, understanding the global perspective is a must. Cinema Beyond Boundaries would get the viewers and the filmmakers together and would help us in serving them with good quality cinema.
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I have registered few titles like 'Bharat Bandh,' 'Calendar Girl,' 'Money Politics.' The titles just intrigued me, so I registered. I had a title, 'Jai Ho,' which I gave to Sohail Khan for his next film with Salman Khan. These are typical Madhur Bhandarkar kind of films. I may make a film or not on such titles... not sure yet.
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I am an emotional and fragile person. I observe life, I am perceptive and can read a person's body language. I have a strong journalistic streak in me, and had I not been a filmmaker, I would have become a film journalist. I have combined my perceptive and journalistic traits to create my own brand of cinema.
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I like reading a lot. Jeffrey Archer and Robert Ludlum are my favourite authors. I love making realistic cinema, so I read non-fiction more.
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In all my movies, be it 'Page 3', 'Chandni Bar' or 'Corporate,' I have tried to depict honesty and reality.
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In my downtime, you'll mostly find me curled up with a book. I love reading biographies. My favourites are those of Dalai Lama, Osama Bin Laden, and Einstein.
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After 'Chandni Bar' there was a shutdown of such bars in Mumbai. After 'Page 3' people started avoiding such events. 'Traffic Signal' exposed the money flow through the mafia. I'm not apologetic about the brutal truth in my films. Almost 70% of my films are based on reality, and 30% I fictionalize or change to suit my film.
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There's nothing like simple spicy egg bhurji.
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Films are meant solely to provide entertainment. There are no lessons to be learnt and and inferences to be drawn. Has anyone become dutiful and law abiding after seeing a film that espouses these very virtues? Films can do no more than influence fashion, decor, and hairstyle trends.
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I think 'Heroine' was Kareena Kapoor's best ever role of her career.
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I pick my actors primarily based on my gut-feel. They could be rank newcomers or established stars, but if I feel they'll do justice to my characters, they are on. I think Bollywood is now looking towards Kollywood for new faces, and, to my mind, Suriya will be a very successful crossover star because he's very versatile.
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I love Indian food, and my favourite dish is dal rice.
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Whenever I come to Delhi, I forget about eating right and watching my weight.
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I don't want to make 'Chandni Bar 2.' I didn't think 'Fashion 2' will happen. If a film ends on a high note... makes the audience think and lingers in the end... that is needed.
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While Hollywood has had a huge influence on the Indian industry, Bollywood and its actors, too, are garnering a lot of attention in the western film world.
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My entire career stands on the strong pillars of women-oriented films. This stems from the fact that I am sensitive to the entire aura and mystique of a woman and womanhood.
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My beliefs encompass all religions. But I never show my religious inclination in my films. My characters have dark sides; they aren't the god-fearing characters. It wasn't a conscious decision. I'm a very lazy and emotional person who connects with the common man.