Isadora Duncan (Angela Isadora Duncan) Quotes
Quotes to Explore
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I'm not going to just say nice things about everybody unless I mean it.
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Well, first of all, let me say that I might have made a tactical error in not going to a physician for 20 years. It was one of those phobias that really didn't pay off.
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Nobody deserves your tears, but whoever deserves them will not make you cry.
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I don't have a high IQ, but I've always liked nerds and quirky guys.
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My optimism is not based primarily on the successful march of democracy in recent times but rather is based on the experience of having lived in a fear society and studied the mechanics of tyranny that sustain such a society.
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I get to meet different directors and different people.
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On my desk, I always have a lemon or a lime drying. I love the fragrance. Also, a Staedtler eraser, a brush for the eraser and a pencil sharpener.
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Everyone should have the opportunity to get affordable, quality health coverage.
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A true epilogue is removed from the story in time or space. That's the reason it is called an 'Epilogue'; the label serves to alert the reader that the story itself is over, but we are going to now see a distant result or consequence of that story.
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I don't want to be famous famous. I'm happy on the second tier, where I have autonomy on a professional level but I can still go out to the movies without being recognized.
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Besides, I have a sister who's straight. And I want her to know that I love her and support her.
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I wrote my first textbook in 1970. It was called 'The Theory and Practice of Group Psychotherapy,' and over the years, many students told me that they enjoyed reading it because there were so many stories in there; often just a paragraph or a page of something that happened in a group session.
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Only buy something that you'd be perfectly happy to hold if the market shut down for 10 years.
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If you look at my bookings, they've gone down each season. That's something I'm trying to keep improving. On the pitch you don't want any silly bookings.
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I'm an honest guy.
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For yesterday and for all tomorrows, we dance the best we know.
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I feel more comfortable in a place like Brighton - a town, with one centre, one bus station, one train station. And there are so many arty, creative people, and things are less rushed, less stressed.
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I loved 'Matilda.' The kids are so brilliant and uninhibited. They were inspiring. Seeing them onstage, just going wild, reminded me of when I was that age. I was excited for them and completely taken by their innocence and hard work.
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I'm cautious about a lot of words.
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There are female artists I can look at that I find more in common with than the male artists, because they're blending the pop, dance and theatricality... but currently there aren't a lot of guys who go there.
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I think those who say that you can't tango if you are not Argentine are mistaken. Tango was an immigrant music... so it does not have a nationality. It's only passport is feeling.
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The great mystery to me is how restaurant critics think they can get away with doing their job without anybody noticing who they are.
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If I could say it, I would not have to dance it.
