Sandra Brown Quotes
I try to weave a secret into each plot. It's the thread that holds the rest of the story fabric together. In fact, it's the reason for the story. I hint at the secret early on. Immediately I want the reader to get the feeling that something here isn't quite right. It helps maintain the suspense if a puzzling element is introduced in the first few pages of the book, but the answer isn't revealed until the final ones. Hopefully, readers want to know what the heck is really going on, and it's the desire to find out that keeps them turning pages.
Quotes to Explore
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My hair and make-up secret is 'the messier the better.'
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Secret families are really the bedrock issue of Western literature.
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The West German population would protest passionately if it knew what secret meetings between the federal chancellor, McCoy, and foreign and Nazi generals are planning.
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My secret with kale is to add lots of sweet or sharp flavours to offset some of that grassy intensity.
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Don't let the secret recipe die with the inventor.
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O, what a tangled web we weave when first we practise to deceive!
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Carlos was a character, a character fabricated by Ilich Ramirez Sanchez, fabricated by the secret services of the epoch, fabricated by the governments of the epoch, by the radical groups of the epoch, by the communications media.
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Even before my audition, there were several pages missing from my script because those bits were so unbelievably secret not even I was allowed to see them.
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No one can keep a secret better than a child.
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To drift with every passion till my soulIs a stringed lute on which all winds can play, Is it for this that I have given away Mine ancient wisdom, and austere control?Methinks my life is a twice-written scroll Scrawled over on some boyish holiday With idle songs for pipe and virelay, Which do but mar the secret of the whole.
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Secrets stolen from deep inside....the drum beats out of time
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The secret of poetry is cruelty.
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There was a show in which these scientists shared the secrets of the world's oldest living people, people still functioning past 100 years-old. They found that they exercised everyday, they ate in proportion, that they had a social network of family and friends, and that they had some sort of faith. So, that's what I'm doing now, very consciously. Instead of working out three times a week, I do something physical, like a one-hour walk everyday.
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They don't know you're secretly a badass?
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I think it is not only important that people go to the Anne Frank House to see the secret annex, but also that they are helped to realise that people are also persecuted today because of their race, religion or political convictions.
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My stories do have plot. They're not just scattered language; they're controlled, toward an end.
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But when the dawn will come, of our emancipation, from the fear of bondage and the bondage of fear, why, that is a secret.
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I got into my first serious relationship with a man when I was twenty-three. I had, before that, sort of a typical, sad history of relatively promiscuous sexual encounters with men I didn't know, because I felt that if I were involved with people I did know, other people would know that I was gay, and it was something that I needed to keep so secret.
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This is one of the most highly secret matters there are, perhaps the most secret. Anybody who speaks about it is shot dead immediately. Two talkative people died yesterday.
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There was a time when my parents had to sell off a plot of land so that I can buy a rifle for competitive tournaments. After that we stayed in a rented house for the next 15 years.
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There's really quite a beautiful marriage between Milady's ingenuity and D'Artagnan's immaturity. When they first meet, she's trying to frame him. She's using him for a certain reason. They haven't just met by coincidence. She's singled him out for a reason. She knows that she can almost make D'Artagnan do what she wants to, and that's when D'Artagnan's immaturity comes out.
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I try to weave a secret into each plot. It's the thread that holds the rest of the story fabric together. In fact, it's the reason for the story. I hint at the secret early on. Immediately I want the reader to get the feeling that something here isn't quite right. It helps maintain the suspense if a puzzling element is introduced in the first few pages of the book, but the answer isn't revealed until the final ones. Hopefully, readers want to know what the heck is really going on, and it's the desire to find out that keeps them turning pages.
