Sarah Addison Allen Quotes
Quotes to Explore
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Animation is different from other parts. Its language is the language of caricature. Our most difficult job was to develop the cartoon's unnatural but seemingly natural anatomy for humans and animals.
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You have been chosen, and you must therefore use such strength and heart and wits as you have.
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I was doing things that weren't good for me. So I checked into the Churchill Priory clinic. It was the best thing I've done for ages.
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I was told that, when 'Betrayal' was being produced by one of the provincial companies in England, the two actors playing those roles actually went into a pub one day and played that scene as if it were really happening to them. The people around them became very uncomfortable.
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One of the most wonderful memories in my life was when I sang at the Opera House in Sydney. I will never forget that. It is one of the most beautiful Houses I have ever sung in my life.
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When I'm working in the studio, I like to be on my own because I don't know where I'm going; I want to be completely free to spend lots of time on songs.
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Obama's ascendancy unhinged the radical right, offering a unified target to competing camps of racial, nativist and religious animus.
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The countenances of children, like those of animals, are masks, not faces, for they have not yet developed a significant profile of their own.
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My job is not to make people happy; it's to tell the truth as I see it.
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We've got to decide that we want to live in a world that is sane and happy and healthy, and that everyone deserves that.
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It's so important for those living with chronic pain to establish good communication with both their healthcare professionals and caregivers. Clear communication about pain is vital to receiving proper diagnosis and effective treatment.
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How do you project a character if you don't have a sense of where she is from? I've always just gotten on a plane to go to the area to get a sense of what it is like, to smell it, feel the earth, hear people talk, go to the marketplaces.
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In my opinion, no single design is apt to be optimal for everyone.
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I want to use whatever connections to get a super-outstanding Basquiat in the White House. It could be one of mine. It could be something that a friend owns.
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I would die without goals or a focus. I need something to keep me going.
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Paul Giamatti is truly one of my biggest inspirations, and even more so now that I've gotten to work with him. Every single thing he does, he completely transforms into it. When I watch a film with Paul in it, I'm not like, 'Oh, there's Paul.' I'm completely into whatever character he's in, and I'm not thinking about him as an actor.
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It is probably not love that makes the world go around, but rather those mutually supportive alliances through which partners recognize their dependence on each other for the achievement of shared and private goals.
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Just because I'm young doesn't mean I didn't work hard to get to where I am.
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Poverty was the greatest motivating factor in my life.
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Fame is one of the potential hazards of this job, but I really just want to make movies. I want to be respected, sure. Who doesn't? But famous-famous? I just don't care about it. And if you genuinely don't give a damn about that stuff, you really are free.
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My dreams were at once more fantastic and agreeable than my writings.
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*Race! It is a feeling, not a reality: ninety-five percent, at least, is a feeling. Nothing will ever make me believe that biologically pure races can be shown to exist today. Amusingly enough, not one of those who have proclaimed the 'nobility' of the Teutonic race was himself a Teuton.
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He used to believe good things happened in this kind of weather.
