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But that was the problem with having the answers. It was only after you gave them that you realized they sometimes weren't what people wanted to hear.
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It's a funny feeling, being suddenly airborne. Just as you realize it, it's over, and you're sinking.
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Only a real asshole takes liberties with someone else's car stereo. That's serious.
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I was so scared about being discovered, but nobody came. Nobody heard. In my own ears, though, my sobs sounded primal and scary, like something I would have turned off if I'd been able to.
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As he heard me approach, he quickly leaped up, grabbing a nearby loaf of bread and holding it in front of him as if struck by a sudden desire to make a sandwich.
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I reached up with my finger and traced the scar over my eyebrow, remembering when that was the greatest hurt I'd ever known.
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You get what you give, but also what you're willing to take. The night before, I'd offered up my hand. Now, if I held on, there was no telling what it was possible to recieve in return.
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I'd been through so much, falling short again and again, and only recently had found a place where who I was, right now, was enough.
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Let me guess,” Eli said, his voice that low, even timbre, as always. “Drinking from kegs also falls under outdoor activity.” I just looked at him, standing there in jeans and the same blue hoodie he’d had on the first time I met him. Maybe it was the embarrassment, which had been bad enough before I had an audience, but I was instantly annoyed. I said, “Are we outside?” He glanced round, as if needing to confirm this. “Nope.” “Then no.” I turned my attention back to the keg.
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And that was it; it was so easy for her. My own memories did not even belong to me. But I knew she was wrong. I had seen that comet. I knew it as well as I knew my own face, my own hands. My own heart.
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I was bored. Sad. Lonely. It was only a matter of time before I cracked.
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If he'd been any other boy, and this was any other world, I would have kissed him. Nothing could have stopped me.
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Still, there was also was something reassuring about working for Commercial, almost hopeful. Like things that were lost could be found again. As we drove away, I always tried to imagine what it would be like to open your door to find something you had given up on.
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I've found in my own life that if my writing isn't going well, not much else will. It is the one constant, the key to everything else.
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Like a word on a page that you’ve printed and read a million times, that suddenly looks strange or wrong, foreign. And you feel scared for a second, like you’ve lost something, even if you’re not sure what it is.
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Welcome to adulthood," she said. "It sucks as much as high school.
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Some writers pick a topic and write around that, but I like to include it all.
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From this distance, in the dimness, the model looked surreal, made up of parts filled with buildings, bordered by long stretches of empty space. It reminded me of the way cities and towns look when you are flying at night. You can't make out much. But the places where people have come together, and stayed, are collections of tiny lights, breaking up the darkness.
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But what he didn't understand was that this dreamland was preferable, walking through this life half-sleeping, everything at arm's length or farther away. I understood those mermaids. I didn't care if they sang to me. All I wanted was to block out all the human voices as they called me name again and again, pulling me upward into light, to drown.
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Like so many before them, they didn't care that my dad was only the messenger. They still wanted to shoot him.
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You own a Tic Tac. Gum is just borrowed. - Esther
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You couldn't just pick and choose at will when someone depended on you, or loved you. It wasn't like a light switch, easy to turn on or off. If you were in, you were in. Out, you were out.
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Mayonnaise is a lot like men, it can make everything much better, adding flavor and ease to your life. Or, it can just be sticky and gross and make you nauseous"- "Keeping the Moon
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The thing is, you can’t always have the best of everything. Because for a life to be real, you need it all: good and bad, beach and concrete, the familiar and the unknown, big talkers and small towns.