Sarah Paulson Quotes
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I do like the immediacy of audience's reaction. I like when I can hear the stillness and I know that they're with us.
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I like that feeling in your brain when you've got seven things that you're holding in one moment-you heard that person cough, you heard that person laugh, you're also saying your line, you're also listening to the person who's talking to you.
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If you heard me sing, you would just plug your ears and run, screaming, the other way. I promise.
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No, I'm not a Republican working in Hollywood, I am a Democrat.
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I've always known that I've wanted to write, but I always saw myself doing that in the context of something other than film, so it was a really beautiful and kind of perfect moment in my life when I realized that I could combine this idea of wanting to write and tell my own stories with the environment I had grown up in and knew well - that I could make film as opposed to writing being a departure from what I knew.
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I'm addicted to routine. I don't know if that's because I moved around so much as child - by the time I was 12 years old, I had lived in about 10 different places. But I like going to the theater at a certain time.
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The thing I worry about for myself is I spend a lot of time alone, and another person comes around and you're like, 'What are you doing here? Get out of here.
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All of my friends went to college and I got a job at Circle Pizza, where I worked for 24 hours. I had to call my mother four times to ask her how to spell Parmesan. I'm not kidding. I was a terrible speller. I think I was really nervous that I somehow didn't feel right out in the world in that way.
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I'm sporting some really blonde hair because I live in Hollywood and I'm an actress.
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I will do plays as long as they're interested in having me do them. It's the biggest opportunity to learn the most about how to act. Something I discover every time I'm doing one is how little I know about acting - how important the art of listening is, and how important it is to listen with your entire body. You can tell so much of a story with stillness, and a lot of that can be from really actively listening to your scene partner.
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I have been sitting around waiting for an opportunity to get to do something that matters for so long. Not just that matters in the world, which I think that season, in particular, had a very important meaning for a lot of people, but for me, as an actress.
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I've only been to one concert in my life.
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I have friends say, "Don't you want to have a little you?" The jury's still out on that for me. I don't have a definitive answer, but I do know that I can look back on some of the things I've worked on and some of the things that have literally come out of my imagination and be just as proud of it as if I had created a person. I feel like that shouldn't be of any less value. It can't be because it's what my life is, and I don't want to make it smaller or more palatable just because society tells you to. If you can get comfortable with sacrifice, then you are having it all.
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I'm one of those actors who's just standing there, waiting and ready for something to come my way. I don't really try to think about, "Oh, I feel the next thing I should do should be a feature. Now, I think I should do a play." I just hope someone wants to cast me in something.
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Anything is possible, and the truth is any human being at any given moment, no matter how good they are - not only at their job but also as a person - they're capable of anything, and it's not always a conscious thing.
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I think sometimes when you can feel the velocity of change, like nowadays, you really need a seat belt. It's almost like having a growth spurt that you can feel, like a 16-year-old who woke up one day and grew four inches literally overnight. That can be a painful thing sometimes.
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The ways in which people are damaged are the ways in which they're strong. It's what makes people interesting - what they've overcome and how, and what they haven't and how that's become a good thing. Almost everyone's life is both a gorgeous story and a tragedy. I think being alive is really, really hard, and I'm constantly stunned and amazed by people who make it interesting and beautiful.
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The theater commitment is hard, especially in conjunction with a television commitment. That's a big, long commitment.
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I've never been very comfortable as an actor looking out into the audience; I always like to keep my focus on the other person. When you start playing out to the audience, it takes me out of it, because people don't do that when you're in life behaving with another person - you don't often look out, around you, in a presentational manner.
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I think it's very important for people to not judge the people you're playing. You have to find a way to love them because their story is theirs. I just don't think there would be any use in that.
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I just don't feel that we've traveled very far in the realm of social equality. There just seems to be a little bit of unrest. And sometimes I think that happens when you really feel like something's about to change. Right before the moment of lift off, sometimes things feel a little bit unhinged, and that's what it feels like to me right now, both as a woman and just as a human on the planet as an American woman in America. I feel like we're on the precipice of change. I feel a little nervous.
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AIDS is a global problem and there should be a global solution found by the entire international community. It is really scary to see and imagine our world fall into pieces because we refuse to share and put in the common vestiges of our civilizations.
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Nobody could ever say as many terrible things to me as I say to myself.
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There are rules, and when certain things happen, there are ceratin consequences.