Sarah Polley Quotes
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I think what I've learned most from being an actress is that there's no method. That you have to invent this process over and over and over again, depending on who you're working with and what you're doing.
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I am aware that I've generally been more attracted to introspective roles, but it's sort of bizarre, because it's the opposite of who I am in many ways. I think I'm quite an extroverted, loud person. So it interests me that that's sort of the place that I go all quiet, is when I'm onscreen. It's a bit strange.
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The only disadvantage to directing if you've been an actor is how self-conscious you are. When I'm directing, I'm always so aware when I'm speaking to an actor of how easily I could throw them off by saying something careless or not being clear or concise. So it does make you watch your words in a way that sometimes is unhelpful.
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Acting is something that I've done since I was so young. I always felt - certainly as a teenager - really cynical about acting. I definitely didn't feel like it was something I wanted to do, and so I really took it for granted.
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I feel like we want women to be simpler, less complex, so we project a lot of versions of simplicity onto them to fit that.
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I've always been such a fan of short films - in fact, I never considered that I would actually make a feature. I just thought I wanted to make shorts for the rest of my life. They are a lot harder to have shown and a lot harder to find and see as an audience, but I don't know. It's just a form that I really love. I was just making them for the process, but ultimately, I did get them into festivals, and they did end up on television, and they had as much of a life as short films can.
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I think that the idea of family is a very powerful and influential and disjointed thing that will always captivate me.
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It's hard to give up that amount of control. It's scary to make yourself that vulnerable. Because you might do all kinds of things that are unplanned or are unexpected that maybe don't work, and you have to trust the director to see that and work around those things. I find it really scary.
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I'm a control freak and I like to be overprepared, and I'm overly organized and I'm not in the moment a lot of the time.
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All of my short films are about marriages, and I think that this probably comes from some kind of unconscious fascination with my parents' story and what they went through.
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We're in this space right now where things are very precarious for women and things in the States are so terrifying. There are so many rollbacks of rights women have gained - and it can happen quickly, more quickly than we think. I think it would be good for us to think back and ahead to protect the space we're in.
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I just feel like it's so amazing every few years when I'm not making a film to act and basically go back to film school and just watch other filmmakers work and try to be a part of somebody else's vision. So I feel like you do use two very different parts of your brain, and it's great to be able to jump back and forth.
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My mom died of cancer when I was really young. I'm not someone who tries to work out their own stuff with a role, but I think that happened despite my best efforts to keep myself separate from it.