Kara Walker Quotes
There was a manifesto in the late '60s/early '70s, and it basically laid out what 'black art' was and that it should embrace black history and black culture. There were all these rules - I was shocked, when I found it in a book, that it even existed, that it would demarcate these artists.
Quotes to Explore
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Every time a young girl comes in and asks me for advice, if you start your conversation with, 'How hard is it as a black woman,' or, 'How hard is it as a woman,' I turn you around. Because I cannot - we cannot look at the roadblocks and see the road at the same time.
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One half who graduate from college never read another book.
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I must be like the princess who felt the pea through seven mattresses; each book is a pea.
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The dogmas of the quiet past are inadequate to the stormy present. The occasion is piled high with difficulty, and we must rise with the occasion. As our case is new, so we must think anew and act anew.
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Any trend that is developed too fast and is disposed right away is not going to have a lasting impression on the culture, you know?
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I wanted to be an animator originally. I went to art school; I went to art college and everything. But that screen was just calling me.
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The art of boxing is seeing spaces and being able to take shots. The hitting and being hit have to become one. Your reactions have to be so in the moment. There's no time to think.
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I work in the film business, where schmoozing is an art form, lunch hour lasts from 12:30 until 3, and every meeting takes an hour whether there's an hour's worth of business or not.
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New York is rich in culture, cuisine, and commerce.
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Love isn't an emotion or an instinct - it's an art.
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'Perfect' is about a set-up that looks perfect from the outside - beautiful country house, beautiful wife and mother, everything where it should be - and the deep fissures that, in fact, lie beneath that. 'Perfect' was partly a response to the shock of my first book, 'The Unlikely Pilgrimage Of Harold Fry,' being a success.
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The issue of doing an adaptation of a book is the theater of the mind, and so you always face that.
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I was a top-notch cartoon model for Hanna Barbera, and they made me into a cartoon series called 'Devlin,' which ran for seven years, and I was on lunch pails and coloring books and all of that. It's really interesting being a coloring book when you're young – most kids colored in coloring books, but I made money off coloring books.
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We did a play of 'Frog and Toad' at my elementary school. And I'm not sure if this is part of the book or it was something that we made up on our own, but I auditioned to play the black hole, which somehow makes sense to me.
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Oh I'm a huge comic book movie fan.
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My art springs from my desire to have things in the world which would otherwise never be there.
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I'm sure in the history of Harvard, and the history of most schools, there's been some pretty crazy parties that I'm not even sure you could even capture on film how silly and ridiculous they were.
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Art is the lie that enables us to realize the truth.
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We don't walk around wearing candy stuff all day or colorful stuff. It's like, I walk around wearing black.
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There was a physical quality in us resembling the power of electricity or of the magnet, by which when a pair approached within a striking distance they flew together like the needle to the pole or like two objects in electric experiments.
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I shall state silences more competently than ever a better man spangled the butterflies of vertigo.
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There was a manifesto in the late '60s/early '70s, and it basically laid out what 'black art' was and that it should embrace black history and black culture. There were all these rules - I was shocked, when I found it in a book, that it even existed, that it would demarcate these artists.
