Satyajit Ray Quotes
My films play only in Bengal, and my audience is the educated middle class in the cities and small towns. They also play in Bombay, Madras and Delhi where there is a Bengali population.
Quotes to Explore
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I look at 'Death Proof' and realize I had too much time.
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A professor must have a theory as a dog must have fleas.
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I lived in Brooklyn from 2007 to 2012 but for the last few years have resided in Austin, Texas, where my world - especially the world of downtown - is predominantly white.
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I grew up in the suburbs of Sydney, an arid kind of place, but every day I took the ferry across the harbour to get to school. I'd watch the ships coming in and going out.
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I'm regularly speaking at London Business School and Harvard Business School. They're the next generation of leaders in the fashion industry.
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It is only since linguistics has become more aware of its object of study, i.e. perceives the whole extent of it, that it is evident that this science can make a contribution to a range of studies that will be of interest to almost anyone.
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I think violence can never be justified.
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But if you listen to great piano players, both classical and jazz, there's a huge range of dynamics and colors and emotional expression that's possible with the instrument.
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I'm more a fan of my fans than I think they are of me!
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Newt Gingrich seldom misses a chance to note that he is a historian.
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Most people are interested in seeing 27-year-old women who are in movies somehow connected to sex. It's interesting to everyone. Especially little movies that are having trouble getting made, there's always sex.
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I like my house to be unique to me. Sure, I've bought plenty of things out of a catalog, but the way I put them together in my home is special. You might have bought your sofa at a major home decorating store, but the rug you found at the flea market is so unique, it takes your room from 'carbon copy' to 'simply yours' in no time.
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The key to me is being different not for the sake of being different, but being the most authentic version of what you do. And definitely it takes a willingness to be different, because there was resistance for me early on, and I feel like that's usually the case when there's a certain paradigm or trend happening, and you step outside of that.
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The script for what would eventually become my first graphic novel, 'Cairo,' sort of came to me in kind of a bolt of lightning within 24 hours of having moved to that city. Just a jumble of characters and narratives and interesting things that I was seeing and experiencing for the first time.
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The one thing I do not want to be called is First Lady. It sounds like a saddle horse.
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When you have this many losses, you don't have a following.
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I'll tell you what I miss most. What I would love to do, more than anything, is just anthologies. With an anthology you can tell any story and be in every division of television. We don't have any anthologies anymore, do we?
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I am fighting my natural body shape to do what I do.
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There's always something every night that I learn from reacting to what the audience is reacting to. You learn what to leave out, what to put in, if you need a little more comedy or more drama.
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You see the same profile of difficulty among the educated Bostonian adults, and the going-to-school Bostonian kids, and the adults and children in the Amazon. The problems that were hard for them were hard for us.
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'Vice Squad' needed to be real if it was going to have the impact that I wanted it to have.
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You just can't let the outside world affect your game.You can't hold anything back. You can't play a different game.
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My films play only in Bengal, and my audience is the educated middle class in the cities and small towns. They also play in Bombay, Madras and Delhi where there is a Bengali population.
