Scarlett Johansson Quotes
Every actor has a production company already. It's just a matter of producing your own films under the label of your own production company.
Quotes to Explore
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Men who do not make advances to women are apt to become victims to women who make advances to them.
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Beauty at 70 years old isn't the same as beauty at 20 years old, but it is stunning nonetheless.
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My sin as a painter is that I just want to paint anything I want to paint - and repaint.
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When I worked at Microsoft, I got to go and visit a bunch of different companies. Probably a hundred different companies a year. You'd see all the different ways they'd work. The guys who did Ventura Publisher one day, and then United Airlines the next. You'd see the 12 guys in Texas doing Doom, and then you'd go see Aetna life insurance.
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While it is clear that we need to make some adjustments to protect Social Security for the long term, it is disingenuous to say that the trust fund is facing a crisis.
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Naturally, everything boils down to relationships in my books.
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To develop drugs for people, we basically dismantle the system. In the lab, we look at things the size of a cell or two. We dismantle life into very small models.
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My goal in life was to pursue the good life.
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Growing up in the public spotlight and having insecurities like every other girl, I really know what it's like to feel self-conscious.
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Know why you believe, understand what you believe, and possess a reason for the faith that is in you.
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Part of every misery is, so to speak, the misery's shadow or reflection: the fact that you don't merely suffer but have to keep on thinking about the fact that you suffer. I not only live each endless day in grief, but live each day thinking about living each day in grief.
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A few can touch the magic string, and noisy fame is proud to win them: Alas for those that never sing, but die with all their music in them!
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Every man I meet is in some way my superior.
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Wars begin in the minds of men, and in those minds, love and compassion would have built the defenses of peace.
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Part of the reason for moving to New York was the sense that it just didn't matter how much work I did in England, I continued to be seen simply as a Redgrave. I did feel I could be who I am in New York and we all like to feel appreciated.
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Beijing was such a different city. There were so few cars, I could walk in the middle of the road. In the summer, the streetlamps attracted swirling bugs. I loved those bugs: crickets, praying mantis, all kinds of beetles. I also have a vivid memory of dazzling sunlight coming out of the sky.
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Realism is a bad word. In a sense everything is realistic. I see no line between the imaginary and the real.
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I made a very concerted decision to go to drama school in the United States. But I did have the opportunity to go to Britain's Central School of Speech and Drama, and my dad and I had a few tense words about that. He wanted me to go to British drama school.
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Design is the Zeppo Marx of management disciplines - the one that everyone seems to forget.
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What we need to do is to have a sensible approach to immigration. It needs to be open. It needs to be non-dogmatic and non-bigoted. We need to be firm but reasonable in the way we deal with the problem of illegal immigration. And we need to try to get as many of our immigrants who want to do so to become citizens as quickly as possible so that the American people will all see that this is a part of the process of American history, which is a good one for our country.
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Personally, just as an actor, I love accents; they're fun.
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I'm the company philosopher and the burr in the saddle. I'm the one who says we need to try harder, improve the quality of our products, become a part of the political process, help elect people who are good for the environment.
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The conception of background music is changing. You use less and less of it these days.
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Every actor has a production company already. It's just a matter of producing your own films under the label of your own production company.
