Scott Ellis Quotes
'On the Twentieth Century' was always something I wanted to do because of Kristin Chenoweth.
Quotes to Explore
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Buildings are always better than drawings and models.
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What they are doing is taking something that otherwise creates pollution and turning it into something useful.
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Basically, I'm a musical vocalist, but I do voiceover stuff as a sideline, like plumbing or something.
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I believe politicians should always remain realistic.
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I prefer to be a villainess. There's something a bit more delicious about their wickedness.
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There's this idea of a star, and this person is very aloof and writes all the music, and they don't talk to anyone unless they go through the record label. And I always felt very uncomfortable about that.
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When people first meet me, they're always like, 'What are you?' as far as ethnicity. And I've been pegged as 'ethnically ambiguous.'
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Smarter is always the answer.
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I've always been interested in violence, even as a teenager. I loved 'Helter Skelter' and books like that.
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It's always convenient for certain people to heap accusations on Israel.
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As a former English major, I have always been fascinated by the connections between literature and history.
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I was always very focused on how people dressed.
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I've always loved Def Leppard, ever since I was little.
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I remember at the 1996 Olympics in Atlanta, Shaq always wanted me to show him steps over and over.
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I've always considered myself a character actor.
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There are days when I still want to be able to do what I want when I want, but there's also something wonderful about being secure.
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I always wanted to find oil. It was always an irresistible calling.
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While our amplified knowledge of genetics - and the increasing precision of the field - does make it tempting to take on celebrity cases, retro-genetics can't always provide clear answers.
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My dad was a big runner. Growing up, I watched him do half marathons, and he was always running six or seven miles.
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Somebody like Bowie was so interesting because when you got him off stage, he was like a businessman. But on stage, he was just dazzling. It was like watching butterflies grow.
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I think that's what art is about: to provoke you. It helps me make sense of a senseless universe because I become the god of the story. I create it, and I see it in all its lineaments in my own way and can control it – in a world in which everything else is out of control.
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'On the Twentieth Century' was always something I wanted to do because of Kristin Chenoweth.
