Nick Petrie Quotes
Character drives the story, and the story drives the book. I don't think about where the action should go, or how much there should be, until it's required by the characters. When I find myself adding conflict just because I'm afraid that the reader might get bored, I know I've taken a wrong turn somewhere.
Quotes to Explore
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It is my first preference to do films with social significance. Art cinema has given me credibility and status as an actor, but commercial cinema has given me a comfortable living.
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I like to see myself as a bridge builder, that is me building bridges between people, between races, between cultures, between politics, trying to find common ground.
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Almost all the early Christian Fathers were opposed to the death penalty, even though it was of course standard practice across the ancient world.
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I can't take the theater side out of myself.
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We don't need bigger government. We need to shrink the size of government.
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I know I'm good enough. I don't need to show it to you. Either you know who I am, or you don't.
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What makes you a Christian is whether or not you really are in accord with biblical theology and whether you know Jesus Christ as your Saviour.
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For all their expertise at figuring out how things work, technical people are often painfully aware how much of human behavior is a mystery. People do things for unfathomable reasons. They are opaque even to themselves.
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My views line up with Mick Mulvaney's views pretty much exactly.
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Happiness is a state of mind, you know. I don't think you are permanently happy. One is happy about certain things and not so happy about others.
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Hollywood always represents this big dream and fairy tale in people's minds, but to me, it's just hard work. Of course, we play fairy tale on the red carpet. It's all Cinderella. But when the clock strikes midnight, I turn into a gray mouse and I go home, and I take my dress off and it's over. That's Hollywood.
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Poetry is innocent, not wise. It does not learn from experience, because each poetic experience is unique.
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I'm not against gay people.
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It is perfectly possible to live a very moral life without a belief in God, and I think it's perfectly possible to live a life peppered with ill-doing and believe in God.
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The Self of everyone, the Atma of everyone, the transcendental field of reality of everyone, is the same in everyone. Whether the body calls itself an American, German, Indian or Chinese, it doesn't matter.
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Two things awe me most, the starry sky above me and the moral law within me.
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I believe Corot painted a tree better that any of us, but still I find him superior in his figures.
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The Sun never sets on the immense empire of Charles V.
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Slow and steady wins the race.
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The so-called commercialism includes elements like story, plots, rhythms and large big scenes.
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I want to tell A Story, Every Story, everything all at once, not anything in particular that might be said through the words I know, and I try to roll all sounds into one, to accumulate more and more syllables, as if they might make a Möbius strip of language in which everything, everything is contained. There is a hidden rule even in this game, though - that the sounds have to resemble real syllables, that they can't disintegrate into brute noise, for then I wouldn't be talking at all. I want articulation - but articulation that says the whole world at once.
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Writing is a solitary existence. Making a movie is controlled chaos - thousands of moving parts and people. Every decision is a compromise. If you're writing and you don't like how your character looks or talks, you just fix it. But in a movie, if there's something you don't like, that's tough.
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Fear is the loneliest feeling. You can be in a throng of people, but if you're afraid, you're on your own.
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Character drives the story, and the story drives the book. I don't think about where the action should go, or how much there should be, until it's required by the characters. When I find myself adding conflict just because I'm afraid that the reader might get bored, I know I've taken a wrong turn somewhere.
