Nick Petrie Quotes
Character drives the story, and the story drives the book. I don't think about where the action should go, or how much there should be, until it's required by the characters. When I find myself adding conflict just because I'm afraid that the reader might get bored, I know I've taken a wrong turn somewhere.
Quotes to Explore
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It is my first preference to do films with social significance. Art cinema has given me credibility and status as an actor, but commercial cinema has given me a comfortable living.
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I like to see myself as a bridge builder, that is me building bridges between people, between races, between cultures, between politics, trying to find common ground.
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Almost all the early Christian Fathers were opposed to the death penalty, even though it was of course standard practice across the ancient world.
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I can't take the theater side out of myself.
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We don't need bigger government. We need to shrink the size of government.
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I know I'm good enough. I don't need to show it to you. Either you know who I am, or you don't.
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What makes you a Christian is whether or not you really are in accord with biblical theology and whether you know Jesus Christ as your Saviour.
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For all their expertise at figuring out how things work, technical people are often painfully aware how much of human behavior is a mystery. People do things for unfathomable reasons. They are opaque even to themselves.
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My views line up with Mick Mulvaney's views pretty much exactly.
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Happiness is a state of mind, you know. I don't think you are permanently happy. One is happy about certain things and not so happy about others.
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Hollywood always represents this big dream and fairy tale in people's minds, but to me, it's just hard work. Of course, we play fairy tale on the red carpet. It's all Cinderella. But when the clock strikes midnight, I turn into a gray mouse and I go home, and I take my dress off and it's over. That's Hollywood.
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Poetry is innocent, not wise. It does not learn from experience, because each poetic experience is unique.
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I'm not against gay people.
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It is perfectly possible to live a very moral life without a belief in God, and I think it's perfectly possible to live a life peppered with ill-doing and believe in God.
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The Self of everyone, the Atma of everyone, the transcendental field of reality of everyone, is the same in everyone. Whether the body calls itself an American, German, Indian or Chinese, it doesn't matter.
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Two things awe me most, the starry sky above me and the moral law within me.
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I believe Corot painted a tree better that any of us, but still I find him superior in his figures.
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The Sun never sets on the immense empire of Charles V.
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When you compare Mars to Earth, and Venus to Earth, you can see the problem earthlings face. We do not want to become Venus.
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I have on my office wall a wise and useful reminder by Anne Morrow Lindbergh concerning one of the realities of life. She wrote, 'My life cannot implement in action the demands of all the people to whom my heart responds.' That's good counsel for us all, not as an excuse to forgo duty, but as a sage point about pace and the need for quality in relationships.
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The interesting thing about fiction from a writer's standpoint is that the characters come to life within you. And yet who are they and where are they? They seem to have as much or more vitality and complexity as the people around you.
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I talk to a lot of librarians, and there's always a steady drumbeat of how libraries are places of community. But a lot of them have also recently - and just in the nick of time - refurbished, because during this economic downturn, people have a tendency to borrow instead of buy.
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The only time I think about life beyond F1 is when I contemplate becoming a dad. But there's no way that's going to happen while I'm still racing. To be successful in F1 you need to be very selfish in lots of ways and you're away from home for long periods. That's not the kind of father I want to be.
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Character drives the story, and the story drives the book. I don't think about where the action should go, or how much there should be, until it's required by the characters. When I find myself adding conflict just because I'm afraid that the reader might get bored, I know I've taken a wrong turn somewhere.
