Seamus Dever Quotes
I think about all the people who have created something that lives after them - works of art, plays, music, films, literature, poetry that will be read, seen, performed, and heard for the rest of time. If I could do something that lives after me, then I think I will have had a life well led.
Quotes to Explore
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Graffiti has an interesting relationship to the broader world of hip-hop: It's part of the culture, but also in a weird way a stepchild of the culture.
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It is easy to remove the mind from harping on the lost illusion of immortality. The disciplined intellect fears nothing and craves no sugar-plum at the day's end, but is content to accept life and serve society as best it may.
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Every employee needs to know that there's somebody out there that they serve. And when we don't let people know that for one reason or another, we're depriving them of a fulfilling job.
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I have learned to be patient.
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Any people attempting to govern themselves by laws of their own making, and by officers of their own appointment, are in direct rebellion against the kingdom of God.
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You either make dust or eat dust.
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There's nothing that's in an actor's control. I've learned at this point you do things and you let them go. There's no way to control the outcome. The only thing I have any sort of reign over is my own experience.
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I definitely want people to laugh because I don't think there's a better feeling - I think it's just so fabulous to laugh. I don't mind if people think, either. I think the brain is a very sexy organ.
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What's going on in the inside shows on the outside.
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I think every day we look at the mess of the chaos of the civil war in Iraq, I think every day people become more and more convinced that the war was a mistake. I think we have to learn from the mistakes of our past.
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Opera was the cinema of its time, so to bring back that popular appeal, you just need to unleash its visceral immediacy and excitement. Most productions don't manage that - but when an opera does do it, you never forget it.
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A revolution is a struggle to the death between the future and the past.
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Hebrew is my first language, so it's really the most personal and the most simple. When I write in Hebrew, I don't look for sophistication in music; it's just pure emotion that comes out.
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It's frightening how easy it is to commit murder in America. Just a drink too much. I can see myself doing it. In England, one feels all the social restraints holding one back. But here, anything can happen.
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When you put your characters in a dire situation, they often do things that surprise even you, so you have to go back and revise your original conception of who they are.
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I am interested in agricultural corporations and how they function. The idea that they own the genetics of our food supply is a really compelling thing to me.
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It's all matchups, and I knew that I matched up well against 'Rumble' Johnson.
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I am severely dyslexic, so I'm not the person who can do a lot of typing, writing and mathematics. I don't excel in anything except in things that had to do with creativity and things with my hands. I like to build things and take things apart.
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I understood that 'The Yellow Birds' would be a peculiar representation of the experience of being at war. I intended it to be so.
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I think any black woman is a queen. It's just, do you know it? Do you see it in yourself? Do you recognize it, do you abide by that, do you define yourself as that? Based on who we are and what we've been through and how we survive and where we stand, we are on kind of sacred ground. We stand on the backs of our ancestors.
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Events are called inevitable only after they have occurred.
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Most women I know are priestesses and healers... We are, all of us, sisters of a mysterious order.
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I think about all the people who have created something that lives after them - works of art, plays, music, films, literature, poetry that will be read, seen, performed, and heard for the rest of time. If I could do something that lives after me, then I think I will have had a life well led.
