Sean Connery Quotes
Quotes to Explore
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A thousand years will pass and the guilt of Germany will not be erased.
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Brain cells are normally not sensitive to light. So by introducing light-sensitive proteins into specific types of neurons, we can now selectively control that specific type of neuron by shining light in the brain.
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Finish last in your league and they call you idiot. Finish last in medical school and they call you doctor.
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Everyone needs something they're good at. You want your kids to be passionate and figure out something they're good at.
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I want to be the Letterman of metal. I want five nights a week, Monday to Friday, 11 to 12, live. I always shoot for the moon.
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Sorry, I'm still a dialectical materialist.
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Size has nothing to do with literature. All legs are long enough to touch the ground, and all books are big enough to fill their covers.
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Whenever I write, I'm always thinking of the reader.
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Egypt has suffered more ordeals than the other countries to get where it is.
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I'm not trying to set the world on fire; I just want to make really beautiful clothes that women want to wear, can afford, and can really see themselves in.
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Because there is something helpless and weak and innocent - something like an infant - deep inside us all that really suffers in ways we would never permit an insect to suffer.
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From a population point of view, it's actually very important that as few people as possible get the flu. People getting the flu is not a private matter. The risk for healthy people is really about your friends and neighbors and fellow travelers.
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I don't know how television or radio is going to survive without newspapers because that's where they get all their news. It's going to be hopeless.
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Everything is becoming science fiction. From the margins of an almost invisible literature has sprung the intact reality of the 20th century.
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I dream of instruments obedient to my thought and which with their contribution of a whole new world of unsuspected sounds, will lend themselves to the exigencies of my inner rhythm.
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Those shows I did with Queen were pretty surreal. I was really excited and super-flattered, but intimidated at the same time.
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My character, Rick Spleen, is a what-if version of me, really, where nothing did quite turn out right and everything else is still around the corner.
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The business breeds such a deep insecurity. It's the nature of the beast, and there is nothing you can do to get away from that.
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There was a magic about the sea. People were drawn to it. People wanted to love by it, swim in it, play in it, look at it. It was a living thing that was as unpredictable as a great stage actor: it could be calm and welcoming, opening its arms to embrace it's audience one moment, but then could explode with its stormy tempers, flinging people around, wanting them out, attacking coastlines, breaking down islands.
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Everyone's really different. I've worked with women who I've never wanted to tell anything about myself to, and I've worked with guys who have been pouring wells of emotion. So emotional availability is not a gender-specific thing.
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I don't believe in inspiration that arrives like a bolt from the blue ... It seems to me that the more motivated I am by what I film, the more objectively I film.
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It's only fair that stable gay relationships of long standing should have the same rights and responsibilities as married couples. I know the image of gay marriage is to some people horrific and ludicrous.
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I've always said the rubber duck is a yellow catalyst.
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There's always a new challenge to keep you motivated.
