Sean William Scott Quotes
Quotes to Explore
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I was probably never going to get to do the kind of things dramatically that I really wanted to do, so I returned to theater from time to time, and to write, and produce. It's by no means sour grapes.
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I have definitely worked on that... being efficient and also being smarter with my pressure.
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I think the interesting thing about the word 'posh' is that it is so relative; it's quite a provocative title because people have strong feelings about that word.
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The Enlightenment, the Age of Reason, is seen as the beginning of modern depravity.
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I've only chosen films that offered me something concrete, even if it is less than what I get to do in the South.
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I haven't only been offered Hasidic roles.
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You cannot reduce the power of story with the tag of money because it's not a share market. So you must know the seriousness of the power of storytelling.
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I think I have a strange relationship with time. I'm not really aware of that time passing. I don't feel that I'm wasteful with time. But I'm not aware of it passing.
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I love doing every role I do!
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My dream was always to win in the Olympic Games, but I never set that next goal, and I have realised now I need to set another goal.
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It's an odd mix, the life of a playwright.
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Riches do not consist in the possession of treasures, but in the use made of them.
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Over a period of 11 months, I was constantly afraid that Youth Care would lock me up. It was all a frightening and traumatic experience. So often, these terrible memories come to me. I can't ignore them.
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'Until Friday Night' is the first book in my new young adult series, 'The Field Party.'
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The problem with working under an outside label is that your music never seems to reach the right people.
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I would like to be more active outside of Israel.
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I like roles of people who can overcome things because there's strength in that and an arc - and roles where they start in one place, and toward the end of the script they end up in a completely different place, so you've seen this growth and some humanity in the role.
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My mom was an aesthetician and she went to beauty school back in the '60s. I just remember watching her do her makeup all the time. She always had her nails done, makeup on - her face was ready to go when she went out. I loved it.
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My mother was funnier than anybody I ever worked for. My father was as funny as this coat. Not a laugh a minute, my father.
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I don't get a chance to be funny with the thrillers. I like to be funny, and I think I am really funny. So with 'Middle School: The Worst Years of My Life', it was fun to let loose.
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I was born in Jackson, Mississippi, in 1969, in a time and place where no one was saying, 'Look how far we've come,' because we hadn't come very far, to say the least. Although Jackson's population was half white and half black, I didn't have a single black friend or a black neighbor or even a black person in my school.
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When I graduated from high school, I had artistic and academic scholarships, and I was trying to figure out what to do. I decided to audition for the Royal Academy of Dramatic Arts, Juilliard and the National Institute of Dramatic Arts in Sydney, Australia.
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I was a loser in high school.
