Kage Baker Quotes
Quotes to Explore
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I get offers all the time from film makers, but they are unknown quantities. I don't go there and do experiments.
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Charlie Sheen gave me a signed headshot. I think it said, 'Keep it real.' But 'real' was spelled 'reel,' like a film reel.
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When it's time to film and to actually take on the role of Precious, I felt an immense responsibility to do it justice.
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The future of technology is not really location-based apps; it is about making location completely unimportant.
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Film has played such a big part in my life, in my impressions of the United States.
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Unbeing dead isn't being alive.
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Nobody wants to be against technology, but I think that regulators should not - and people should not - assume that faster is always better in markets. We need to question technology to insure that markets continue to perform their fundamental purposes.
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Humanity is acquiring all the right technology for all the wrong reasons.
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I'm a novelist, a critic, an essayist - I tend to see politics as a subset of cultures rather than the other way around. It's a human enterprise, a tool or a technology revealing our collective inner self.
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Effective use of technology is important to deliver healthcare. By leveraging technology, you can bring down lack of access and cost of healthcare.
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Our feature film, 'Crouching Tiger, Hidden Dragon Two,' has a built-in fan base from the original film.
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I'm extremely particular how my look should be in a film.
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The film depends on the audience's belief in this relationship.
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How do I act so well? What I do is I pretend to be the person I'm portraying in the film or play.
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If Woody Allen were a Muslim, he'd be dead by now.
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There has been a huge advance in technology, which has improved the safety of the cars incredibly, but there are still some heavy crash impacts and in certain circumstances there is still the chance of fire today.
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Computing technology started out as number-crunching.
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I've always been fascinated by the brain. I wrote a lot about brain-tech in my first non-fiction book, 'More Than Human.' So when I decided to write science fiction, that was the technology I gravitated towards.
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Imagine that we are sitting in an ordinary room. Suddenly we are told that there is a corpse behind the door. In an instant the room we are sitting in is completely altered; everything in it has taken on another look; the light, the atmosphere have changed, though they are physically the same. This is because we have changed and the objects are as we conceive them. That is the effect I want to get in my film.
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These are people who are capable of devotion, public devotion, to justice. They meant what they said and every day that passes, they mean it more.
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I don't think I've ever used the word 'gay rights,' because I don't really believe in rights based on your behavior.
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The roar of the traffic, the passage of undifferentiated faces, this way and that way, drugs me into dreams; rubs the features from faces. People might walk through me. And what is this moment of time, this particular day in which I have found myself caught? The growl of traffic might be any uproar - forest trees or the roar of wild beasts. Time has whizzed back an inch or two on its reel; our short progress has been cancelled. I think also that our bodies are in truth naked. We are only lightly covered with buttoned cloth; and beneath these pavements are shells, bones and silence.
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The 1910 Edison film of 'Frankenstein' was itself a dead thing revived by technology.
