Sébastien-Roch Nicolas (Nicolas Chamfort) Quotes
Quotes to Explore
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Working on camera, your face is your career. But I'm not really one to buy into the pressures. At the end of the day, the job I do, it's more about the art and craft of it. If you're good at what you do, there's a place for you in the industry, no matter what you or your skin look like.
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I'd like to learn how to cook. I've hauled around this big, old, heavy Martha Stewart cookbook in my suitcase to Cape Cod, L.A., Paris. I don't know what possessed me.
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I prepare myself to fight; I prepare myself for myself.
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Just because you used one set on one guy and had success doesn't mean you can use that exact set, that exact timing, the next time.
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When you are honest and open with young people, they let you in.
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All the great artists had their dark sides. Look at Amy Winehouse or anyone who has achieved a certain level of success. Even Adele, and the people that you wouldn't put in the same category as a gangster rapper. These women have exposed their vulnerabilities, demons, and things that have hurt them.
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Just because you're of the same sex, what difference does it make? Get married to whomever you want.
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And I think it's safe to say that the single very impressive figure to me was Merle Haggard.
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Memory is not particularly linear - it is associative, repetitive, subjective and porous. But the writer needs to convey disorder and dysfunction without making the novel itself disorderly or dysfunctional.
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I saw an interview that I did with someone, and I was horrified by it. And I said to my wife, 'This is unbearable how I talk.'
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Feminists have confused opportunity with outcome.
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You can't say somebody is a bust if they're making plays and running to the ball.
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I had my group of friends, you know, like my real group of friends, and then I had, like, party friends.
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Running for attorney general troubled me. Because I was worried I would simply become just a figurehead and that's not me.
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The release of 'Lungs' was so hard. It was terrifying, because it was the first time doing everything. The first experiences of media exposure were almost paralysing. I spent a lot of time crying on the floor of the studio – it sent me a bit mad.
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I love finding new creative partnerships but then continuing the partnerships I'm already in.
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When you write, you write out of your best self. Everything else drops away.
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The big picture is a nice way to think of things if you have the freedom to.
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I don't do the L.A. scene. I stay focused and very myopic. I don't feel I need to prove myself or be in people's faces, especially in this town.
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I think as you get older, you realize there's always going to be critics. Critics are going to win every time because they can change their critique based on the stats and their own personal feelings. It's less about proving people wrong, the critics wrong, and it's more about challenging myself to keep this level up.
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Then he took me off Jeannie and he gave me Millie the Model. That was a big break for me. It wasn't doing to well and somehow when I got on it became quite successful.
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Living in England was wonderfully civil and easy-going.
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In living and in seeing other men, the heart must break or become as bronze.
