Sébastien-Roch Nicolas (Nicolas Chamfort) Quotes
Quotes to Explore
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I'd like to learn how to cook. I've hauled around this big, old, heavy Martha Stewart cookbook in my suitcase to Cape Cod, L.A., Paris. I don't know what possessed me.
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I prepare myself to fight; I prepare myself for myself.
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Just because you used one set on one guy and had success doesn't mean you can use that exact set, that exact timing, the next time.
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When you are honest and open with young people, they let you in.
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Just because you're of the same sex, what difference does it make? Get married to whomever you want.
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And I think it's safe to say that the single very impressive figure to me was Merle Haggard.
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Memory is not particularly linear - it is associative, repetitive, subjective and porous. But the writer needs to convey disorder and dysfunction without making the novel itself disorderly or dysfunctional.
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I saw an interview that I did with someone, and I was horrified by it. And I said to my wife, 'This is unbearable how I talk.'
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Feminists have confused opportunity with outcome.
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You can't say somebody is a bust if they're making plays and running to the ball.
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I had my group of friends, you know, like my real group of friends, and then I had, like, party friends.
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Running for attorney general troubled me. Because I was worried I would simply become just a figurehead and that's not me.
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The release of 'Lungs' was so hard. It was terrifying, because it was the first time doing everything. The first experiences of media exposure were almost paralysing. I spent a lot of time crying on the floor of the studio – it sent me a bit mad.
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I love finding new creative partnerships but then continuing the partnerships I'm already in.
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When you write, you write out of your best self. Everything else drops away.
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Most English writers are not interested in change but in the social novel. That demands a static backdrop. I'm intensely interested in change - probably as a matter of self-preservation. What the hell is going to happen next?
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The book I always say that influenced me, subconsciously, because at the time I didn't know I wanted to be a writer, was William Goldman's 'Marathon Man.' That was the first adult thriller that I loved. I read it when I was 15 or so, when my father gave it to me.
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Sometimes I wish I was more comfortable just saying what I thought and getting my point across.
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The hardest thing is at the end you have to say bye to all these people who you have worked with for so many months. It was really sad not to see them anymore. But you have the parties that you go to and you get to see them, like the premieres and the screenings.
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All my books are made up of other books. They're all deeply structured on other fiction, because I was a student in fiction and I didn't have much actual living to draw on. I suspect a lot of other people's novels are like that, too, though they might be slower to talk about it.
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Sometimes I think that we are living in a simulation controlled by the reigns of a destructive child who often gets bored or distracted, leaving us trapped inside feedback loops for years at a time.
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In living and in seeing other men, the heart must break or become as bronze.
