Nicolas Ghesquiere Quotes
More than anything, I'm designing for a woman of today. I want to be a witness of my time.
Quotes to Explore
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I forced myself to think what is the new concept and it became clear to me that it was risk, not only in technology and ecology, but in life and employment, too.
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The idea of going on tour for the rest of my life with old works is not that exciting. As an artist I definitely think the work in future is going to be better than the work in the past, otherwise why do it?
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I don't want to be an actor or nothing but if I have to, I'll act if it's the right thing.
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Utahns deserve well thought out policy and plans.
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It's really not about me. At the end of the day, God willing, I'll have another 40 or 50 years on this planet, and what I'm saying to myself is, 'What do I want to leave here?'
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What I particularly like about Broadway is the camaraderie and the friendship of other people in other shows. Everybody knows you're opening and cares about you. There's a real village atmosphere.
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Life in a Chinese village is much more organised because the Chinese Communist Party has a presence even in the remotest Chinese village - a presence of the kind that no governmental or non-governmental organisation has in Indian villages.
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I love girl power.
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We either make ourselves miserable, or we make ourselves strong. The amount of work is the same.
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An autobiography can distort; facts can be realigned. But fiction never lies: it reveals the writer totally.
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We laid the foundation before we went to a major label.
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I live for my daughter. Every decision I make is about her and for her. It's great. She's perfect.
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My record label always says you shouldn't talk about money because it makes people extremely uncomfortable. Refugees can't talk about money. Rappers can talk about money; refugees can't talk about money.
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Most historians don't much like generalizations. Indeed, they make a trade of showing that this or that generalization about the past will not work here or there or then.
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Democracy cannot be imposed on any nation from the outside. Each society must search for its own path, and no path is perfect.
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There are no fields of amaranth on this side of the grave: there are no voices, O Rhodopè! that are not soon mute, however tuneful: there is no name, with whatever emphasis of passionate love repeated, of which the echo is not faint at last.
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The worker's existence is thus brought under the same condition as the existence of every other commodity. The worker has become a commodity, and it is a bit of luck for him if he can find a buyer, And the demand on which the life of the worker depends, depends on the whim of the rich and the capitalists.
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lf l am not mistaken, the words 'art' and 'artist' did not exist during the Renaissance and before: there were simply architects, sculptors, and painters, practicing a trade.
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To Moscow, to Moscow, to Moscow!
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Our stock in trade is raw, flailing sex.
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I grew up in the Bronx where you would stay up late with your girlfriends, just being silly in our bedrooms, whatever. And I was always the clown.
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I have never known stage-fright at any time.
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More than anything, I'm designing for a woman of today. I want to be a witness of my time.
