Nicolas Ghesquiere Quotes
More than anything, I'm designing for a woman of today. I want to be a witness of my time.
Quotes to Explore
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I forced myself to think what is the new concept and it became clear to me that it was risk, not only in technology and ecology, but in life and employment, too.
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The idea of going on tour for the rest of my life with old works is not that exciting. As an artist I definitely think the work in future is going to be better than the work in the past, otherwise why do it?
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I don't want to be an actor or nothing but if I have to, I'll act if it's the right thing.
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Utahns deserve well thought out policy and plans.
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It's really not about me. At the end of the day, God willing, I'll have another 40 or 50 years on this planet, and what I'm saying to myself is, 'What do I want to leave here?'
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What I particularly like about Broadway is the camaraderie and the friendship of other people in other shows. Everybody knows you're opening and cares about you. There's a real village atmosphere.
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Life in a Chinese village is much more organised because the Chinese Communist Party has a presence even in the remotest Chinese village - a presence of the kind that no governmental or non-governmental organisation has in Indian villages.
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I love girl power.
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We either make ourselves miserable, or we make ourselves strong. The amount of work is the same.
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An autobiography can distort; facts can be realigned. But fiction never lies: it reveals the writer totally.
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We laid the foundation before we went to a major label.
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I live for my daughter. Every decision I make is about her and for her. It's great. She's perfect.
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My record label always says you shouldn't talk about money because it makes people extremely uncomfortable. Refugees can't talk about money. Rappers can talk about money; refugees can't talk about money.
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Most historians don't much like generalizations. Indeed, they make a trade of showing that this or that generalization about the past will not work here or there or then.
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There are no fields of amaranth on this side of the grave: there are no voices, O Rhodopè! that are not soon mute, however tuneful: there is no name, with whatever emphasis of passionate love repeated, of which the echo is not faint at last.
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The worker's existence is thus brought under the same condition as the existence of every other commodity. The worker has become a commodity, and it is a bit of luck for him if he can find a buyer, And the demand on which the life of the worker depends, depends on the whim of the rich and the capitalists.
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To Moscow, to Moscow, to Moscow!
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I tried to distinguish myself from the Rush Limbaughs of the world, but I also understood that there were folks on the Left who did not want to make that distinction: who thought that we all sounded alike, and we all were in lockstep.
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Man the lifeboats. The idiots are winning.
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Once upon a time, I was a climate-change skeptic.
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When I was 12, I was going through an awkward time. Writing music helped me find my voice and express the things I was feeling.
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If you want to get a deal, negotiate with the teams yourself. Say, "I want this much, and no less, but I'll show up to camp on time." It doesn't seem that hard to me.
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The past is past, the future unformed. There is only the moment, and that is where he prefers to be.
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More than anything, I'm designing for a woman of today. I want to be a witness of my time.
