Sienna Miller (Sienna Rose Diana Miller) Quotes
Quotes to Explore
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I'm an actor; I want to play roles, not a role.
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It's hard to give advice. There are so many people, how do you give major advice to a group of people, it's very presumptuous.
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People in Sweden talk a lot about the weather - how much we hate it. But Finns get more depressed.
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I've met Michael Keaton, John Favreau, Marisa Tomei - they're all really amazing people and really, really professional. I've learned so much from just watching them operate on set.
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Married people from my generation are like an endangered species!
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I love 'Battles,' and I love what it's doing for people.
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Violence and chaos were an ever-present part of the world that I grew up in. And unfortunately, it wasn't just in my family. Sometimes, you'd see, you know, Mom fighting with one of her boyfriends. But a lot of times, you'd see people exploding on each other in a local restaurant or on the street.
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The only time I've ever really felt envy is when I've watched people make music, which made my time living in the now-legendary Jazz Loft at 821 Sixth Avenue in New York a constant source of agony and ecstasy!
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A dark house is always an unhealthy house, always an ill-aired house, always a dirty house. Want of light stops growth and promotes scrofula, rickets, etc., among the children. People lose their health in a dark house, and if they get ill, they cannot get well again in it.
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It is a good rule in life never to apologize. The right sort of people do not want apologies, and the wrong sort take a mean advantage of them.
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I'd like to do a play, and I'd like to do a musical.
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I'm friends with Dierks Bentley. Aside from that, I don't really know anybody else in the country music field, really. I've met the Lady Antebellum people and I met Marty Stuart briefly once. He's really nice, but I don't know any of them, really.
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I had a world of people raising me; it was like a little village.
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Every time I got to play a show, even if it's already sold out, I'm so scared no one's going to come.
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The land on which the cattle grazed was communal property. It was owned by no one. It was nobody's private farm. It was the common property of the people, shared by the people. So the practice of sharing was central to the concept of ownership of property.
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I'm not an activist per se, but I have strong feelings about things. People can jump on celebrities for being ill-informed or naive, but I've got a right to say what I believe.
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If I could read it, I could play it.
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For people who love Tribe, I'm the defector. They say, 'You should get back with Ali to do the beats.' But a lot of people don't realize I did all the music in Tribe. In the first three albums, I did all the beats!
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People have told me it's like Touched by an Angel on acid. I think that's a good description.
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The people I am most interested in are the ones on the edge of losing everything and falling into the last bit of despair. I'm trying to write about how people exist on that edge and how they can come back.
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Panic! for me has been an outlet for nonchalant chaos. It gives me full ride to fulfill this dream that anything is possible because of this band.
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I'm a mechanical engineer, and I grew up on a farm, so I like practical hardware - somebody's elegant solution that proves itself over the long term.
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...the subject, the thing itself, is the genesis of all types of photography.
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I sometimes get very protective of the people I play.
