Sigmund Freud Quotes
A strong experience in the present awakens in the creative writer a memory of an earlier experience (usually belonging to his childhood) from which there now proceeds a wish which finds its fulfilment in the creative work.
Quotes to Explore
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I think the older I get the more creative I get, I don't have the distractions that I had when I was younger.
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I am not an autobiographical writer.
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You can always think that we're old and not innovative, but there is no company that can limp on for 139 years without being creative and having the genes to change.
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Cooking for people is an enormously significant expression of generosity and soulfulness, and entertaining is a way to be both generous and creative. You're sharing your life with people. Of course, it's also an expression of your own need for approval and applause. Nothing wrong with that.
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A lot of my creative energy is spent coming up with a concept that, once I get it, I feel like it writes itself.
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In the jungle, every day is like the other. So you need to have a special discipline to make things different and to keep in your memory the dates and the days. And I think that's something that's very important when you are held hostage.
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Well I could have been just a writer. I had been a hair dresser. I could have stuck with that.
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There's no possibility that foresight work will ruin my creativity. It goes to a different area than the creative wellspring of SF.
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If a writer doesn't generate hostility, he is dead.
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A writer has to live with a sense of honor.
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Whether we or our politicians know it or not, Nature is party to all our deals and decisions, and she has more votes, a longer memory, and a sterner sense of justice than we do.
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You're trying to put yourself in that moment and trying to prepare yourself, to have a 'memory before the game. I don't know if you'd call it visualising or dreaming, but I've always done it, my whole life.
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Memory tempers prosperity, mitigates adversity, controls youth, and delights old age.
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I was just as voracious a writer as I was a reader.
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Great indeed is the sublimity of the Creative, to which all beings owe their beginning and which permeates all heaven.
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My first taste memory is pickle. Even as a kid, I was really weird. I liked chillis. I used to climb up the shelves in my grandmother's pantry. The pickle jar was kept right at the top. One time, I dropped the jar and it broke. I was totally busted.
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The minute you succumb to outside pressure, you cease to be creative.
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I write in freehand equivalents because measuring, to me, takes away from the creative process of cooking. Two turns of the pan with EVOO is about two tablespoons.
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I suppose therefore that all things I see are illusions; I believe that nothing has ever existed of everything my lying memory tells me. I think I have no senses. I believe that body, shape, extension, motion, location are functions. What is there then that can be taken as true? Perhaps only this one thing, that nothing at all is certain.
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One of the writers I most admire is Hilary Mantel because in the middle of her career, she just changed paths entirely and became just a totally different novelist.
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My job is to get to the heart of a story, to find out what's really going on; to get it verified and, then, to get it out to as many people as possible as fast as.
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A strong experience in the present awakens in the creative writer a memory of an earlier experience (usually belonging to his childhood) from which there now proceeds a wish which finds its fulfilment in the creative work.
