Simon Sinek Quotes
Quotes to Explore
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It's like you have a child and you think, 'Everything that I've done up until this point is insignificant in comparison to being a father.' It's a beautiful, beautiful thing.
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Some kids go walking in the mountains, but I just went to the cinema. So when I told my parents I wanted to be an actor, even though this wasn't normal for Arab kids or anyone in the town, they were sort of expecting it and were very supportive.
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Jennifer Aniston and Paul Rudd are really amazing, lovely people and really great comedic actors.
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Those who promise us paradise on earth never produced anything but a hell.
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I don't think we should tell them what we're going to do in advance. Let them think. Worry. Wonder. Uncertainty is the most chilling thing of all.
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Biologically the species is the accumulation of the experiments of all its successful individuals since the beginning.
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My commitment to the Republican movement was pure and simply patriotism, a love of Australia... a desire or passion that all of our national symbols should be unequivocally and unambiguously Australian.
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I never thought about being famous.
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My mother and father are very involved with music. It's completely part of their soul. They have an incredible record collection, all vinyl, of some of the best artists, in my eyes, that you can come across.
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We are fully aware that, in a world at war, each set of belligerents is over ready to regard those who are not with them as against them; but the course we have followed is a just course.
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I'm basically for the whole year just traveling with three suitcases.
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The final frontier of the digital technology is integrating into your own brain.
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Love, safety, belongingness and respect from other people are almost panaceas for the situational disturbances and even for some of the mild character disturbances.
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I don't like to play above or below people's heads. Basically, I just like to get up in front of a crowd and rip it up.
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'I am not very clever about Americanisms - and I understand they change very quickly.'
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I won't ever get on stage at a comedy club when people know about it.
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When I see a bird that walks like a duck and swims like a duck and quacks like a duck, I call that bird a duck.
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The pact we have with Japan is interesting. Because if somebody attacks us, Japan does not have to help. If somebody attacks Japan, we have to help Japan.
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I'm learning all the time." "Well, you're a scholar.
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Another Visitor: How did you manage, Monsieur Degas, when you painted that plein air called 'Le Plage', the one Monsieur Rouart has? Degas: It was quite simple. I spread my flannel vest on the floor of the studio, and had the model sit on it. You see, the air you breathe in a picture is not necessarily the same as the air out of doors.
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I also got to know Roger Corman a bit while we were on location in Mendocino. And then, subsequently, a woman who also worked on The Dunwich Horror named Tamara Asseyev and I teamed up and co-produced a picture that I wrote and directed, called Sweet Kill, that Roger Corman's then-new company distributed.
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Any one who has stood upon a lofty summit and gazed over an inchoate tangle of deep canyons and cragged mountains, of sunlit lakelets and black expanses of forest, has become aware of a certain giddy sensation that there are no distances, no measures, simply unrelated matter rising and falling without any analogy to the banal geometry of breadth, thickness, and height.
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The big picture doesn't just come from distance; it also comes from time.
