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Those interested in perpetuating present conditions are always in tears about the marvelous past that is about to disappear, without having so much as a smile for the young future.
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Regardless of the staggering dimensions of the world about us, the density of our ignorance, the risks of catastrophes to come, and our individual weakness within the immense collectivity, the fact remains that we are absolutely free today if we choose to will our existence in its finiteness, a finiteness which is open on the infinite. And in fact, any man who has known real loves, real revolts, real desires, and real will knows quite well that he has no need of any outside guarantee to be sure of his goals; their certitude comes from his own drive.
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Weakness' is weakness only in light of the aims man sets for himself, the instruments at his disposal and the laws he imposes.
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He reflected. 'I know a lot of different kids of people; what I want is to show each of them how the others really are. You hear so many lies!
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The most mediocre of males feels himself a demigod as compared with women.
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To emancipate woman is to refuse to confine her to the relations she bears to man, not to deny them to her; let her have her independent existence and she will continue nonetheless to exist for him also: mutually recognising each other as subject, each will yet remain for the other an other...when we abolish the slavery of half of humanity, together with the whole system of hypocrisy that it implies, then the 'division' of humanity will reveal its genuine significance and the human couple will find its true form.
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Virginia Woolf thought a lot about her own sex when she wrote. In the best sense of the word, her writing is very feminine, and by that I mean that women are supposed to be very sensitive to all the sensations of nature, much more so than men, much more contemplative. It's this quality that marks her best works.
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On the day when it will be possible for woman to love not in her weakness but in her strength, not to escape herself but to find herself, not to abase herself but to assert herself – on that day love will become for her, as for man, a source of life and not of mortal danger.
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It's only arrogance if you're wrong.
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Christianity gave eroticism its savor of sin and legend when it endowed the human female with a soul.
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If the unconscious must express itself it will do so through the work that you do consciously or subconsciously, with words, with what you have to say.
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Self-knowledge is no guarantee of happiness, but it is on the side of happiness and can supply the courage to fight for it.
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If you try consciously to be avant-garde, it's a little dangerous, like the present state of modern painting, where dealers try to be avant-garde, and under this pretext, painters take some old scraps and call it avant-garde.
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There is a kind of universality in the human condition, masculine or feminine. That's one thing I continue to believe.
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The younger and healthier a woman is and the more her new and glossy body seems destined for eternal freshness, the less useful is artifice; but the carnal weakness of this prey that man takes and its ominous deterioration always have to be hidden from him...In any case, the more traits and proportions of a woman seem contrived, the more she delighted the heart of man because she seemed to escape the metamorphosis of natural things. The result is this strange paradox that by desiring to grasp nature, but transfigured, in woman, man destines her to artifice.
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Ce n'est gue' re que dans les asiles que les coquettes gardent avec ente" tement une foi entie' re en des regards absents; normalement, elles re clament des te moins. Women fond of dress are hardly ever entirely satisfied not to be seen, except among the insane; usually they want witnesses.
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Françoise could not help taking a surreptitious glance at Xavière: she gave a start of amazement. Xavière was no longer watching, her head was lowered. Françoise barely suppressed a scream. The girl was pressing the lighted end against her skin, a bitter smile curling her lips. It was an intimate, solitary smile, like that of a half-wit; the voluptuous, tortured smile of a woman possessed of some secret pleasure.
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To be feminist doesn't mean simply to do nothing, to reduce yourself to total impotence under the pretext of refusing masculine values. There is a problematic, a very difficult dialectic between accepting power and refusing it, accepting certain masculine values, and wanting to transform them. I think it's worth a try.
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Picasso never thought of himself as avant-garde. I just find it a bad way to think of yourself.
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But I must admit I didn´t like that idea; do the same thing as everyone else. Eating to live, living to eat - that had been the nightmare of my adolescence. If it meant going back to that, if would be just as well to turn on the gas at once. But I suppose everyone thinks of things like that: let´s turn on the gas at once. And you don´t turn it on.
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Live with no time-out.
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The ideal of happiness has always taken material form in the house, whether cottage or castle; it stands for permanence and separation from the world.
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I have never read a really good novel written by a man where women are portrayed as they truly are. They can be portrayed externally very well - Stendhal's Madame de Renal, for example - but only as seen from the outside.
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Since it is the Other within us who is old, it is natural that the revelation of our age should come to us from outside --from others. We do not accept it willingly.