Olivier Theyskens Quotes
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When other boys dreamt of going to the moon or becoming doctors, I wanted to be a designer.
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What is funny is when you do a futuristic movie, you immediately get to be fashionable because you're creating something that doesn't exist.
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I always like to preserve my freedom. I've never really been attached to any place; that's probably why I kept moving. I like to evolve.
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I like to be lazy. I do like to be busy and really active, but when that's done, you can be sure I will be a lazy boy. I like to take time and relax and enjoy life.
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I think the relationship is very tenuous between fashion and art. Many designers have built relationships with artists, which is not something I personally did. But it's true, sometimes you see artists working for a designer or a brand on some specific project or taking care of their environment and making an amazing store.
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When I started at Ricci, I did street wear for very cool, young girls, but the price point was for the fourth floor of Bergdorf Goodman next to Carolina Herrera. My cool girls cannot afford it.
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Our eyes reflect light. Better that the lips are more like a rose petal.
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A black dress is beautiful! It's a good choice. It could be the wrong choice at certain events or situations, but it's very rare that you see a girl who looks bad in a black dress.
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My sense of designing is a mix of intuition and intellectual control.
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I am interested in the idea of 'taste.' And by 'taste,' I mean opinion, inspiration and the craft of creating a personality through fabric and design.
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I've admired historical clothes like Victorian gowns since I was a child, and it's what motivated me to go into fashion.
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The aim of being a good designer is to have an influence. If you design furniture or lifestyle, you should influence the way people evolve globally. It's good to have an influence.
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I didn't understand the advantages of staying active until I was about 27.
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My first collection was made from sheets that my grandmother, who lived in Normandy, had been collecting for a long time. There are a lot of flea markets in that part of France, and she knew what I liked.
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We always see the point of an iceberg. So I've always accepted the idea that people - they don't necessarily know everything I am.
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Personality is so important - when you dress somebody for a big party, it is good to feel that the person has an ease and naturalness with what she is wearing.
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People who don't know me sometimes call me 'Mademoiselle.'
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What is sure is that the satellite view of our world and its evolution is now a common reality.
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When I was young, watching historical movies made me feel absolutely sublime. But the first few times I visited costume museums, I was really disappointed because it was not at the level I saw in movies. It was not the level of the image I'd imagined.
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I haven't made many wedding dresses. It's a dress very, very important for the girl; it's important to know the person, I believe, but at the same time it should be a shock to the person - the person should be shocked to be suddenly revealed. That's the work of a designer sometimes, to propose an ID of look.