Sofia Coppola Quotes
Quotes to Explore
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Searchers after horror haunt strange, far places.
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Well, everybody is trying to make this a money thing. If you send me to another team, let's see what I ask for. I won't ask for nothing. I'll play under the same terms. So it is not Gary wants more money. Gary has money. What else do I need?
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For singers, I believe we can sing in a lot of keys. I know I have this big range, but the point is to find a key that emotionally connects people.
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The next time you feel unworthy, inadequate or inferior, remember that these experiences have nothing to do with humbleness, any more than lowering yourself to connect with another individual has to do with humbleness. There are no lower or higher individuals in the perception of a humble person. There are only souls. There is only love.
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I think people inspire me the most. If I meet a person who is incredibly complex, and all of a sudden, I start thinking in rhymes, that person could be a muse.
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When I was in law school, there was a used book store nearby. I picked up a Harlequin romance and read it. It was stress relieving.
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I'm a very lucky girl.
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I came to New York in 1962 and it began to look like I might he able to make a living in 1972.
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I have always marched to my own beat, and most frequently, it was inconsistent not only with my own immediate family, but with my culture as well.
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We have a human rights interest. Then there is the immigration problem. The human-rights violations have caused people to take to boats and flood not only the United States, but other countries in the region, creating great instability.
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I've said what I'm prepared to say in my poems, and then journalists think that you're going to tell them a whole lot more.
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I learnt from Armstrong on the early recordings that you never sang a song the same way twice.
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A lot of people, when they talk to me, I can't wait for them to shut up. Like, shut up. you're a moron. I have nothing to say, you know?
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The information revolution has changed wealth. Intellectual capital is far more important than money.
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I love the road trip. It was one of the original justifications to make the movie. So I want the movie to earn that road trip. And to me, that means calibrate it so that the fourth side of that double CD set is set up properly and it all makes sense.
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Be a mistress to none, but all good to some.
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I think I need to continue to think and plan and marry all of the different things that we could do that make transportation in space from the earth to the space station, from the earth to the moon to space stations around the moon to visiting an asteroid.
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Everything is minimal, and if it's over, it's over. We're abrupt with things: in and out. Especially if it's an overdub - it's gone. It does something that's not real.
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I like creating these moments where there's this dichotomy between something that repels you but is still so attractive that you can't stop looking. You still want to acquire it; there's still that level of aspiration for the image of the figure or the person you're looking at. when you look at the work there's this, "Oh it's really beautifully rendered!" or, "I love those beautiful tones." There's some aspect that's really attractive but the image itself could be slightly distributing.
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I had a clear idea about what time is till I was asked to explain it and ceased to understand it altogether as soon as I began explaining it.
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I like telling the story in a visual way. I don't like explaining a lot in dialogue.
