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Everyone in my family is in the film business; I knew I wanted to be creative and it was important in my family to be artistic.
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I never studied directing and I never really thought about doing it, and then I just found myself in that situation and tried it. I like to be observing everything else, and I get self-conscious in front of the camera.
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My father is so in love with making movies, and he'sso charismatic about it, that it's hard to be around him withoutwanting to make movies.
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Thats the way I work: I try to imagine what I would like to see.
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My movies are not about being, but becoming.
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There's something about being a teenager that's so sincere. Everything is more epic, like your first crush. I feel that it's not always portrayed very accurately.
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I feel like the internet has encouraged people to look into things and try to find issuesthat because people have a lot of opinions. I think it's really important to encourage artistic freedom. I think if you inhibit that, that could be dangerous.
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It's about moments in life that are great but don't last. They don't go on, but you always have the memory and they have an effect on you. That's what I was thinking about.
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My dad told me, 'Your movie's never as good as the dailies and never as bad as the rough cut.
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I like to write things to be personal, so I just put what I'm thinking about at the time.
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My parents were always encouraging of us being creative however we wanted to be. People say, "You didn't get pressured into having to be a director?" But it's hard to be around my dad and not be curious about filmmaking, because he thinks it's the ultimate medium.
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I definitely have had friendships and moments with people from different backgrounds and in different stages of their lives.
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I really wanted to emphasize the idea of the women being isolated and abandoned . . . and they weren't raised to take care of themselves, so they had to learn to survive.
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I think being mediocre and in the middle would be the worst. It's more interesting to get strong reactions, and to have the mixture of people who get it and the people who don't get it. And to invite a dialogue.
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I never get myself in a situation where I don't have creative freedom.
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When you're making a film you're thinking about how to tell the story visually.
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I just remember seventh grade as being really difficult, because there's nothing meaner than a girl at that age. You gang up on people, and it's traumatic. It wasn't so bad for me, but there's a woman I know who's still traumatized by junior high. At that age, everything seems like a huge deal, but of course that changes when you get older.
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I got exposed to so many different cultures and people.
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Acting isn't for me. I don't like being told what to do. I'm more interested in set design, more visually driven.
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More actors in action movies should be gangly because that way it's believable when they move through tight spaces.
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I really didn't know what I wanted to do. I went to art school and tried a bunch of different things, but I knew I wanted to do something in the visual arts. And I'd always been around my dad's film sets, so the interest was there. But I didn't have the guts to say, "I want to be a director," especially coming from that family.
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It bugs me when they have people my age 28 playing teenagers.
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I always try to make the soundtrack a good CD on its own.
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You don't have to be loud. If you know what you want, people respect that.