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I have to live within my memories, within my private universe, and continually return to China, the land where my thoughts are locked. This is a very painful kind of existence, this feeling of nowhereness.
Ma Jian -
Whatever China I'd been born into, I would probably still have become a painter - I loved sketching portraits as a child, and began art classes at the age 7. But if China hadn't been under Maoist rule, I might never have become a writer.
Ma Jian
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China is completely lacking in self-awareness and as someone who has stepped outside that society, I have a responsibility to write about it as I see it.
Ma Jian -
'Three Kingdoms' gives you a panoply of different routes; everyone can find their own path. It shows that sometimes the route to fulfilment or success is not the obvious one. You must take twists and turns to achieve a goal.
Ma Jian -
I am trying to persuade my family to spend more time in China. It's no fun to be in exile. I can't even figure out the basic 26 letters, let alone operate, in English. I often feel that although I've found the sky of freedom above my head, I've lost the soil I stand on. I need to be back in my motherland, where I can find inspirations.
Ma Jian -
If you exile a writer, however free the country he is sent to, there will always be a sense of internal constraint.
Ma Jian -
The great quality of the 'Three Kingdoms' is that it seems to encapsulate and portray every facet of the Chinese personality.
Ma Jian -
It is vitally important for me, both personally and for my writing, to be able to return to China freely, so being barred entry has caused me deep concern and distress.
Ma Jian
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After the Tiananmen Massacre, I felt compelled not only to continue writing but to actively resist the restrictions placed on freedom of speech. I set up the publishing company in Hong Kong, with offices in Shenzhen in mainland China, and managed to publish works of fiction, philosophy, and politics by unapproved authors.
Ma Jian -
When the written and spoken word is censored, the urban landscape becomes a nation's only physical link to the past.
Ma Jian -
I wanted to analyse and understand how the Chinese people could have their lives so crushed by fear.
Ma Jian -
Living in London is like being on a luxury cruise liner.
Ma Jian