Nicole Holofcener Quotes
Quotes to Explore
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To be honest, I think for part of my late teens my character didn't really develop very much. I was in a state of cold storage.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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Where there is righteousness in the heart, there is beauty in the character. When there is beauty in the character, there is harmony in the home. When there is harmony in the home, there is order in the nation. When there is order in the nation, there is peace in the world.
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I'm a rational person, and I'm not a method actor. You don't need to call me by my character's name while I'm not shooting.
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As time went on, I did campaign to lighten the character a little bit, to introduce some romance into the episodes, outside activities, horse riding and fencing and mountaineering.
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I bought the rights to this book, 'The Ploughmen,' by a Montana writer named Kim Zupan, and I've written the screenplay, and I really feel pretty strong about it. It's really hauntingly beautiful. It's got some suspense and great drama, but it's a real character thing.
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My favorite roles usually have to do with the story, if it's a good story I usually enjoy doing the character.
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Rag & bone images always reflect the authenticity of the brand. Their images have character and tell a story.
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More than anything, falling in love causes a certain female thing in a man to manifest, oddly enough.
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When you play a character, you get to see the world through their eyes. Whether it's a fictional world or a real world, you do get to see somebody else's point of view, whether he's a good guy or a bad guy.
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Stationery gets me excited because it has an individual character, unlike computers, which may be convenient but are generic and bland.
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Authenticity is everything! You have to wake up every day and look in the mirror, and you want to be proud of the person who's looking back at you. And you can only do that if you're being honest with yourself and being a person of high character. You have an opportunity every single day to write that story of your life.
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There are many wonderful orchestras in the world, but very few who have a character or personality of their own. The Chicago Symphony Orchestra is one of them, and I think it very important to recognize and respect that character.
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The easiest way for readers to connect with characters and feel sympathy is to make the character entertaining, sympathetic and likeable.
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Oswald is an interesting character. Disney lost the rights to him in 1928 to Universal, who was distributing the cartoons and basically handed him over to Walter Lantz.
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Arnold must have for us the something of the character of what we nowadays have taken to calling a 'culture hero': that is, a man who gives himself in full submission and sacrifice to his historical moment in order to comprehend and control the elements which that moment brings.
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I would love to play a fun character. Like, I would love to be in 'A Long Day's Journey Into Night.' I love that play. I'd play Edmond or Jamie. I don't care which.
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I've never really been a careerist; I've never been able to step back and look at anything in that way. I though this is just what happens. I did take my work very seriously. I loved immersing myself in a character. I loved getting the opportunity to do that. I didn't realize how extraordinary it was, how lucky I was, because I was young.
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I did one of the 'Amazing Stories.' That was the first time I got to play a character who was a dumb blonde. I actually channeled Judy Holliday.
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There is no single best kind of death. A good death is one that is "appropriate" for that person. It is a death in which the hand of the way of dying slips easily into the glove of the act itself. It is in character, ego-syntonic. It, the death, fits the person. It is a death that one might choose if it were realistically possible for one to choose one's own death.
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When you're in your early 20s, you go ahead and do everything. And it's very hard to judge yourself.
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Mine is a job that never ends, a function where it is almost impossible to set aside time to rest or take a breather.
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Monarchs do this quite a bit but we don't how much they do it.
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What's the trick to writing a great female character? Make her human.
