Omari Hardwick Quotes
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The reality is our story and the way we love and our taste in clothing and everything else. And what we ambitiously feel we can be.
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I was going from Furman to the University of Georgia. I transferred to play football.
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I was raised looking at women who were strong, and they weren't really into playing race cards or playing gender cards. I didn't grow up around women who were like, 'Well, let the boys do that, and let the girls do that.' I didn't really see that in my house.
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It's rare for artists to really stare deeply at themselves in the mirror, literally, because there's constantly a mirror on you.
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Know that the tattoos are all significant. They're all extremely insignificant. I can't break each one down, but it's 20 years. The first one was 21 years of age from a football teammate.
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I was at UGA playing with Champ Bailey and Hines Ward - both guys who will probably touch the Hall of Fame one day.
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Unlike many Californians or New Yorkers, college football is a religion down south.
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It's an interesting thing to play the heroes of our society, like cops and firefighters. They're the basic heroes that, as little boys and little girls, you look up to as the first heroes of your small, specific community.
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People are fond of that 'crabs in a barrel' mentality, and I'm like, 'No, there needs to be more so we can create more barrels; there doesn't need to be one barrel.'
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You know how you can be romantic? You can be romantic by going to a beautiful setting, sitting on a park bench, and getting good ole-fashioned golden arches, a.k.a. McDonald's. That's probably the best I can do romantically.
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Life as a poet and actor truly became full circle as I stood on stage as host of 'Verses & Flow' and lived in both of these outfits. It was one of the best experiences of my professional life.
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Sometimes my schedule doesn't allow time to go to the hotel after I get off the plane, so I bring my Freebird boots or my old school Adidas shell-toes to throw on after I land.
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Some of the most amazing people I've met in life are cops.
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I did 'Fences' off-broadway at the Beacon Theater, so it's amazing that Denzel Washington and Viola Davis brought it to Broadway.
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I grew up in Decatur, Georgia. We had three boys in the household; actually, it felt like four of us. My pops sort of raised my uncle, too. So, it was four boys and, later, a younger sister.
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I was trying to pay the bills with poems, and it was easy to memorize my poems, because I'd be riding my bike in California trying to memorize them before going on stage at a poetry lounge.
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Playing a cop goes a long way. I have a lot of friends who are working as actors, and as soon as I started playing military characters or cops, and not the actual criminal that we're chasing on this show, they all said, 'You actually can have a career now.'
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I'm such a carnivorous researcher as an actor - I chew it up like it's meat, and I really don't know how to do that without the people that are producing or creating or writing that which they want me to chew up.
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I tend to want to put my fingers over my ears and not hear all of that, not hear that there are so many fans.
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I'm a black Catholic raised in Decatur, Georgia, which was very gang-infested. Then, I went to an all-white private high school and excelled in sports and wrote poetry, then played football at the University of Georgia, minoring in drama.
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I realized, 'Oh, it's easier to get what I want if I embrace the sex symbol thing.' Microphones are more in my face, and I can say things about the kids that I mentor and open more access to more doors.
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On 'Being Mary Jane,' I learned to embrace sex symbol.
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I've been described as a smart actor because I've attended college. Or I've been called an artsy jock. And I am thinking, 'So, are actors supposed to be dumb?'
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Shoes make an outfit; they're like rims for a car.