Nicole Kidman (Nicole Mary Kidman) Quotes
Quotes to Explore
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Stage and film are just two wildly different animals. Why compare the two?
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But the process of making a film is not glamorous. Certainly not my films.
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My mum is my biggest critic. She said I was good for the first film, but I can still be better, and I need to polish my acting skills.
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Film has always been a really good tool for me to communicate emotion about why I create a collection. I'm probably one of the first designers to make short films.
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The notion of directing a film is the invention of critics - the whole eloquence of cinema is achieved in the editing room.
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I'm extremely particular how my look should be in a film.
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The film industry is mostly about unidimensional characters.
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When you're in theater or the circus or film - to me it's all one - affairs happen. People fall in love.
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Female characters in literature are full. They're messy: they've got runny noses and burp and belch. Unfortunately, in film, female characters don't often have that kind of richness.
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I am the biggest geek and fan of film and TV, and I just go through phases.
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I write for somebody who has my own limitations. My reader has a certain difficulty with concentrating, which in my case comes from being a film viewer.
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Compared with other Indian film composers, I only write about six movies a year. Others write up to 60.
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I make sure that whatever film I do, I enjoy my role.
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I've only used my own voice about four times on film.
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I come from a culture where you don't divide it up to what you can do on TV and what you can do on film.
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I read a lot of plays as a kid, but I didn't see that many plays, so I feel better-versed in film history and film structure. I just think it's easier to think in pictures.
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When I do a horror or a fantasy film it all boils down to something in the script that surprises me. It could be a big thing or a small moment. If it's there I'll do it.
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I was actually sacked from my first job. It was at a workshop for a short film this poet had written, about when she used to work in a strip club. After the first week, I was told not to come back.
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If a film is good, and I'm sort of able to sit there and absorb myself within that world. And get lost. That is a pretty powerful tool. And there's not many paintings out there, that make me want to stare at it for hours at a time, and wonder where I am!
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I think I did fifteen long features and fifteen documentaries, or something like this, which is very little when you think of people making a film every year. Some people have done fifty or sixty films.
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My heart's in stage. Making Quadrophenia was exciting because we were riding around on scooters with no crash helmets. But "hurry up and wait" is the anthem of films. Everybody wants you ready, and then you sit doing nothing.
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I don't believe in having body doubles for a film.
