Sofia Villani Scicolone (Sophia Loren) Quotes
Quotes to Explore
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People don't remember each tree in a park but all of us benefit from the trees. And in a way, artists are like trees in a park.
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I think we should all call ourselves feminists.
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I watched so many movies when I was a kid, and I'd watch them over and over.
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I'm addicted to 'Scandal.' Joe Morton is the devil, and I love him. I am addicted to 'Boardwalk Empire.' Jeffrey Wright is the devil, and I love him.
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You think, 'You hired me because I'm a creative artist with a vision. Don't try and knock it out of me.'
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As I began to take risks, leaving my very comfortable and secure job and taking this first leap into fashion, every subsequent risk became easier to take because I began to see the kind of opportunity and excitement that risk-taking offered.
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Life yields only to the conqueror. Never accept what can be gained by giving in. You will be living off stolen goods, and your muscles will atrophy.
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A war between Europeans is a civil war.
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Be honest, be nice, be a flower not a weed.
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That's what everybody remembers. They don't remember how many medals I won in my career. They remember the 10s.
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The police officers, so far as discipline, organization, pay, and orders were concerned, came exclusively under the German Reich police system and were in no way connected with the administration of the Government General.
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I knew Doris Day before she was a virgin.
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We've had a number 1 album in the UK and that was a really big thing for me. So now all we've got to do is do it in America and that will have the domino effect of doing it across the rest of the world.
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Every congresswoman surely endures the same strains that drive some of her male colleagues to have affairs: lots of travel, families far away, heady work that makes a domestic routine seem distant and boring. But the stakes are much higher for women, because they are still judged by a different standard.
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I don't feel particularly comfortable about actors using whatever power they may have to push their beliefs, unless they're extremely well informed.
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I don't care about vacations. I go away and I come back real quick because I like my work. I really like my work to consume me.
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The state of the world calls out for poetry to save it.
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I wrote The Green Eye of the Little Yellow God in five hours, but I had it all planned out. It isn't poetry and it does not pretend to be, but it does what it sets out to do.
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Let your Christianity be so unmistakable, your eye so single, your heart so whole, your walk so straightforward, that all who see you may have no doubt whose you are, and whom you serve.
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And I do pay a lot of attention to how things feel underneath my feet. It's a way of transporting yourself somewhere that you're trying to write about - closing your eyes and imagining what it feels like to literally be in that space. Maybe because of this weird aura thing I find it a bit easier to put my body in an imaginary space.
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I did what most writers do at their beginnings: emulated my elders, imitated my peers, thus turning away from any possibility of discovering truths beneath my skin and behind my eye.
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Beauty is in you and is reflected in your eyes. It is not material.
