Soren Kierkegaard Quotes
Quotes to Explore
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All labels are offensive in some way.
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I've always ignored the labels people put on things.
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Remember the Stax label and how if you liked one record, you liked all the others as well? You don't talk to a lot of people who tell you how much they love their record label. I don't care how many records they sell.
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I have never gotten into the label thing.
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Almost none of the poetries I admire stick to their labels, native or adopted ones. Rather, they are vagrant in their identifications. Tramp poets, there you go, a new label for those with unstable allegiances.
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When we started OD2 in 1999, we were really expecting to work more with independents and so on because the major labels were spending millions on their own Pressplay and equivalents online, which haven't been very successful.
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The media is going to stick a label on records. And the public is going to pick it up from that. And that's what I was getting sick of-the whole analyzation thing.
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Furthermore, I shall explain the nature of dharmata: Such a nature as this cannot be determined to be any one thing. So however you label it, that is how it appears.
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I want to be able to do what I want to do. A lot of times, the major labels, they can't see the vision, they can only see the dollar signs. So, it doesn't really work out like that.
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We strongly oppose warning labels on cigarette packs for several reasons: first and foremost, warning labels may improperly imply that it has been scientifically established that smoking causes disease
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What I do Coco would have hated. The label has an image and it's up to me to update it. I do what she never did. I had to find my mark. I had to go from what Chanel was to what it should be, could be, what it had been to something else.
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I wanted to put out a solo record because I was stuck on a major label and sick of it.
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They stick you with those names, those labels -- ‘rebel’ or whatever; whatever they like to use. Because they need a label; they need a name. They need something to put the price tag on the back of.
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As a rock fan, you read of the big labels and the multinationals and the big tours with road crews and semi-trailers full of gear, and playing stadiums. In the '90s, that's what we did.
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Disassociating, mindfulness, transcendence-whatever the label-it's a sort of loophole in our contract with reality, a form of self-rescue.
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Putting a label homosexual on myself was a big step forward...once I said, 'Yes, that's me, that's what I am,' I was able to work with it.
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A miracle drug is any drug that will do what the label says it will do.
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I'm, like, not overly into labels. I've been referred to that way, but I tend to think of political cartoonists as constantly at it, producing more work than I do. I do, what, six or eight covers a year, maybe, and a bunch of illustrations as well, but how many do you create a year? I'm in awe of that, and I think the term implies being at it every day or at least weekly.
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We'll look at a bunch of deals that are being offered to us, and we decide where to go and continue on I guess. It's not too early to start considering our options with other labels.
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I'm influenced by music from all over the world, but rock and roll definitely comes from the United States, and I've always loved The Stooges. Ron Ashton said he would be interested in doing a track with me and I can't wait! I also did a track with Thurston Moore from Sonic Youth, but it didn't finish in time for the new CD. I like electronic No Wave and New Wave stuff from the end of the 70s' to the mid 80s', dark stuff, and psychedelic music from the end of the 60s' to the 70s'.
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You know, I don't ask myself too much how. I just do it.
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Never give up your voice for a man, you fucking guppy.
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What labels me, negates me.
