Soren Kierkegaard Quotes
Quotes to Explore
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My mom says that when I was a little kid, I always used to say I wanted to be an actor, but I don't remember that.
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I've been a little bit Las Vegas and casino-obsessed. So, I love some trashy glamour... and I think nothing's trashier or more glamorous than a bit of a sheer number!
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My friends I grew up with were so supportive to me. And I'm not the only one who's done well.
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I didn't have a sweet tooth, but I liked butter, and I liked sauces, and I liked wine... and curry... and cheeses.
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You need tremendous spirituality to stop yourself falling into the abyss.
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Because my profession is the body, it is a relaxation for me to get out of physicality and concentrate on more mental things.
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Minorities within nation-states frayed by global capitalism are naturally more resentful of hollowed-out but still heavily centralised systems of political and economic domination.
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I've come to feel that if I can't make something happen in under an hour and a half, it's not going to happen in a compelling way in a three-hour play.
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Only free people have an incentive to be virtuous. Only people who bear the consequences of their own acts will care about those consequences and try to learn from their mistakes.
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I don't want to write any more for the old Man-power instruments and am handicapped by the lack of adequate electrical instruments for which I now conceive my music.
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Picasso is what is going to happen and what is happening; he is posterity and archaic time, the distant ancestor and our next-door neighbor. Speed permits him to be two places at once, to belong to all the centuries without letting go of the here and now.
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I hate dentists. That's why my tooth fell out. I was in the middle of a root canal and wouldn't go back, so it just dropped out when I was in the middle of Fifth Avenue.
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Bill Nelson has demonstrated that he is a rubber stamp for the Obama administration and he's out of touch with the solution that we need to implement in order to get America back on the right track.
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In Edna, I created a satiric portrait of my hometown of Melbourne, a large provincial English city paradoxically in far Southeast Asia. She's a theatrical figure, related to vaudeville in some respects. She inhabits a world in which there are comparatively few female exponents of comedy.
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Sometimes my arm wants to throw a hard fastball, but my brain doesn't want to throw it that hard.
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I get my gossip from 'Nashville' on ABC.
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Political hypocrisy and racism make me hot under the collar.
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I don't like to tell lies.
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When the music changes, the walls of the city shake.
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I see God in the face of children. If there were no children on this Earth, if somebody announced that all kids are dead, I would jump off the balcony immediately. I'm done.
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As I would not be a slave, so I would not be a master. This expresses my idea of democracy.
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The appeal of the spectrally macabre is generally narrow because it demands from the reader a certain degree of imagination and a capacity for detachment from everyday life.
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It's good to have fresh ingredients, but let's not completely ignore some frozen ingredients. Vegetables are absolutely brilliant because as soon as they come out of the ground they are prepared and frozen instantly.
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Face the facts of being what you are, for that is what changes what you are.
