Sam Simon Quotes
Quotes to Explore
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I like to practise. With every new piece, you make mistakes and you learn. So it's important to get on and have another go.
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When you work with a legend as I do, it's wonderful. There's so many things I've learned working with Keith. He's so patient, not only with me, but with everyone in our crew and with the audience and with the game. He has a style that is so easy and will never be copied.
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I want to do roles that take women a step farther. I don't want to be slotted into anything. But if I get a brilliant role which requires me to be a mother, then I will do it. But I want people to see that a woman could be anything at whatever age, even if she is married or has two kids.
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There is always shame in the creation of an expressive work, whether it's a book or a clay pot. Every artist worries about how they will be seen by others through their work. When you create, you aspire to do justice to yourself, to remake yourself, and there is always the fear that you will expose the very thing that you hoped to transform.
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There are a million great books out there if you just go to Google. There's a lot to pull apart. A lot of crazy, unbelievable stuff that's all completely true. I get into little obsessions, and I read everything I can find on one thing, and then I move onto another.
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If I can help and influence girls who are going through body-image issues then I think that's amazing.
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I couldn't stand back and watch the strong economy that my father envisioned go to ruins.
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It is unsafe to take your reader for more of a fool than he is.
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I've been able to make some wonderful films, but sometimes you make films with great passion - great belief - and these films slightly don't work at the box office, and they become your favorite films.
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I've never really been a character on TV. I think, if possible, you want to portray yourself. If you're in a situation where you're supposed to react, you need to react.
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Whenever I'm in Des Moines, I always make a trip to Manhattan Deli for a sandwich. I spent a lot of time there when I was going to college at Drake, so it's usually my one 'go-to' food stop when I'm in town.
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I would dodge, not lie, in the national interest.
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The love story for me was the nature of the love and not the age of the lovers.
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We're constantly striving for success, fame and comfort when all we really need to be happy is someone or some thing to be enthusiastic about.
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You can't just keep recycling revivals. And you can't keep betting on the efforts of guys like me who've been around. You have to take the next step and bet on the next generation.
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I am slightly fascinated by the question of whether humanity is capable of change. I may have come to the conclusion that we're not, but we keep trying.
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My uncle was the first brown person to have a market stall on Petticoat Lane in the 1960s. He worked his way up from the street. He was homeless, but eventually he got a car so he could sell from the boot. And by the 1980s, he was a millionaire wholesaling to companies like Topshop. So in a way, fashion put me in England.
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No one escapes from the past without bearing some of its burdens.
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I got successful awfully quick, and I wanted it... But I do think there is responsibility to move the musical theater form forward. I think you always have to be aware of the work that came before and build on that.
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I want a gentleman. Someone with manners.
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I feel even old people can do a nice love story, but here we don't make that kind of films. In the West, such films are being made and they make a nice romance, which is more like compassion.
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I want to do whatever I can to survive.
